Andy Serkis, actor, director and producer, discusses his pioneering performance capture work in roles like Gollum, Caesar, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
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Animation director Jeff Hale, whose half century of work included the controversial Lenny Bruce short ‘Thank You Mask Man,’ has died.
Carl Rosendahl, PDI Co-founder and Associate Professor, Carnegie Mellon’s Entertainment Technology Center, discusses the founding of pioneering CG studio PDI, the industry’s ongoing economic volatility, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
New York City-based directorial duo’s unique style combines vector art, animation and mixed media, and has resulted in work with Google, UPS, CNN and AstraZeneca.
Sponsored by Autodesk, the CG Student Awards is the largest event for visual effects, feature animation and next-gen gaming students.
In an effort to encourage international co-production, representatives from FreemantleMedia Enterprises, Marvel Television, Cinema Management Group, Tricon Kids and PBS travel to the British capital in a three-day “familiarization” trip.
A new crop of animated and VFX-heavy films should free us from the icy grasp of this winter’s brutal cold streak.
Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Joe Strike is more than impressed with director Steve Loter and DisneyToon Studio’s newest Disney Fairies animated feature.
Oscar-winning international animation and film production company opens a new office in Melbourne headed by executive producer Katie Mackin.
Creative studio brings Robert Rugan’s short film to life by believably adding animated characters into a live-action world.
New Cintiq 13HD touch combines multi-touch with Wacom’s renowned pen performance for a liberating and immersive digital creative experience.
Jon Landau, James Cameron’s longtime producing partner at Lightstorm Entertainment, discusses the ‘Avatar’ sequels, new technologies, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Unmatched toolset for VFX/Games/Animation tracking and review brings world-class production pipelines to studios of all sizes.
Rounding out its collection of game development tools, Autod3esk previews Stingray Game Engine, Announces Maya LT 2016.
Warner Bros.’ R-rated romantic heist movie ‘Focus’ wins the North American box office race with a $19.1 million debut; Microbudget horror film ‘The Lazarus Effect’ rounds up the top five with $10.6 million.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
Feature-length movie, ‘Sodor’s Legend of the Lost Treasure,’ features Oscar winner as the voice of new engine Ryan.
Combing through the uncertainty in what you want from your career is a process you should not be afraid of.
Shouting, swearing and outright bitchiness signal another year of festival submission review and selection for The Pimp.
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.