Film preservationist Jere Guldin highlights the holdings of the largest university-based media archive in the United States. With over 200,000 select holdings, the UCLA Film and Television Archive in Los Angeles is a gem.

Are animation and multimedia producers really learning to work together? Deborah Todd gives us the lowdown of what happened at the 1998 International Content Market for Interactive Media (MILIA) in MILIA 1998: Towards Convergence?

When television's number one rated toddlers hit the road with Rugrats: A Live Adventure, Animation World sent Ron MacFarlane to see Nickelodeon's stage show.

Un article sur l'édition 1998 du MILIA, par Anne-Marie Meissonnier.

What makes a show or character a cult craze? Dominic Schreiber investigates the similarities, from South Park to Speed
Racer.

An article by Christian Coppin describing his experiences with an animated film project about drug awareness that links Bolivia with Europe. The project was completed with Belgium's Atelier Graphoui, an animation studio that works on pro-social projects.

Want to make professional-looking banners for the Web that are complete with animations? Ged Bauer puts this new banner-creating software, MicroSites, to the test.

A review of the 1998 Brussels Cartoon and Animated Film Festival, by Valérie Hamon-Rivoallon. Available in French and English.

Compte-rendu d'Imagina `98, la manifestation française sur le monde numérique, par Stéphane Singier.

Animation World Magazine attended the opening celebration of Nickelodeon's brand new animation studio in Burbank, California. Join us on a visual tour of the first new television animation studio to open in Hollywood in 35 years.