All-new episodes of the offbeat comedy about a dentist and his family hitting the road in their RV air Tuesday, Wednesday and Thursday. The series then moves to its regular time slot next Monday (also at 8:00 p.m.).
The hot new director of District 9 chats exclusively about his feature debut, VFX, sci-fi and Peter Jackson.
With rare stops in California, Miyazaki talked about Ponyo and his legendary career in animation, and AWN captures the highlights in the first of two parts.
Brett Frame, co-owner of Arizona-based FlintFrame, tells us all about their post-production work on the hot 40-minute short, The Hunt for Gollum.
Longtime Studio Ghibli animator Katsuya Kondo returns as supervisor on Ponyo and tells Bill Desowitz what it's been like collaborating with the legendary Hayao Miyazaki.
DreamWorks animator Gary Lee discusses his live-action short about the horrors of corporate downsizing with VFXWorld.
In his directorial debut, Hoyt Yeatman raised a G-Force of guinea pigs with the help of Sony Pictures Imageworks, and Bill Desowitz uncovers their CG and 3-D secrets.
Travis Knight tells Bill Desowitz what it's like making the transition from artist to studio head at Laika.
Harry Potter and the Half-Blood Prince contains spectacular new fire and water sim from ILM, which Bill Desowitz uncovers along with how the eerie Inferi were animated.
Harry Potter and the Half-Blood Prince looks a lot more photoreal, and Bill Desowitz finds out how and why from Tim Burke, Double Negative, MPC and Rising Sun Pictures.
Directors Phil Lord & Christopher Miller provide AWN with an exclusive sneak peek of their first animated feature, Cloudy with a Chance of Meatballs.
Carlos Saldanha tells us all about directing Ice Age: Dawn of the Dinosaurs, Blue Sky's new digs in Connecticut and his next project, Rio.
Tara Bennett reports back from the set of M. Night Shyamalan's The Last Airbender in Philadelphia, offering a glimpse of the director's first vfx-intensive adventure, courtesy of ILM.
Bill Desowitz talks with Blue Sky's Galen Tan Chu about dinos and 3-D in Ice Age: Dawn of the Dinosaurs.
The bots are back in Transformers: Revenge of the Fallen, and ILM tells Bill Desowitz how it rose to the challenge of animating and getting superior performances.
Diversifying into various forms of animation have help Bradissimo in these tough economic times. Rick DeMott talks with SVP Josh Fisher to find out the secrets to their success.
The Spine premieres this week at the Annecy International Animated Film Festival, and Chris Landreth tells Bill Desowitz all about it.
Bill Westenhofer talks about raising the dino bar for Rhythm & Hues in this new take on the old Sid & Marty Krofft series with Will Ferrell on the loose.
Matt Jacobs of Tippett Studio divulges what it was like opening up hell for the new Sam Raimi shocker. Includes major spoiler images.
ILM has moved beyond making great photoreal robots and on Terminator Salvation a more efficient and accurate toolset was created for shading, lighting and redering.