Bill Desowitz reports back from Pixar about how global illumination is powering the upcoming Monsters University and The Blue Umbrella.
Senior VFX Supervisor Evan Jacobs blends explosive action sequences with a complete Washington DC re-creation, all done in Louisiana.
For A Christmas Carol, Rick DeMott collects the thoughts of the performance capture challenges from director Robert Zemeckis, producer Steve Starkey and stars Jim Carrey, Robin Wright Penn, Bob Hoskins and Colin Firth.
Rick DeMott talks with producer Tom Klein about the challenges of creating the R-rated, 2D animated film, The Haunted World of El Superbeasto, directed by Rob Zombie.
Sony's new CTO Rob Bredow discusses cutting edge technology on Cloudy with a Chance of Meatballs, Alice in Wonderland and Arthur Christmas.
James McQuaide tells us what it was like working on Gamer with the directing team of Mark Neveldine and Brian Taylor, makers of Crank.
The hot Russian director Timur Bekmambetov gives us his take on 9 and an exclusive sneak peek of his other projects, including the supernatural Moby Dick.
Ted Thomas discusses the making of his new documentary, Walt & El Grupo, revealing a hidden chapter in the fabled life of Walt Disney.
Ryan Lesser of Harmonix takes us on a magical mystery tour through the making of The Beatles: Rock Band.
VFX guru John Dykstra discusses what it was like working with Quentin Tarantino on his wild World War II opus, which stars Brad Pitt and his merry band of Nazi hunters.
Boyd Shermis explains the bar-raising exploits of G.I. Joe: The Rise of Cobra in collaboration with Digital Domain, Prime Focus, CIS Hollywood and MPC.
VFXWorld gets the lowdown on the summer sleeper hit, District 9, from Image Engine, The Embassy and Weta Digital.
An artsy Ghost? David Jones tells how The Time Traveler's Wife adds a new visual twist to the genre.