Dr. John A. Lent puts Ram Mohan and his new company RM-USL into perspective as India enters a new phase of development.
Milt Vallas takes us inside China to understand this giant and its current bid for the world's attention.
Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland.
On the 30th anniversary of The Beatles' Yellow Submarine, Karl Cohen speaks with the two key TVC production figures behind the film, John Coates and Norman Kauffman.
Peter Chung examines the flaws of today's comics as he reveals the basic nature of visual narrative.
Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Cartoon Network's Michael Lazzo, Senior Vice President, Programming and Production.
The second installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
Charles Solomon speaks with Frank Thomas and Ollie Johnston about Pierre Lambert's book Pinocchio, the film and, of course, Walt and his dreams.
Debra K. Chinn explains the growing U.S. studio interest in international dubbing and the production process involved.
Buzz Potamkin tells us how the much-awaited first annual Annecy International Animated Film Festival faired.
The first installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
Animation World Magazine's annual Jobs & Education issue includes a survey of pointed questions taking a look at the relationship between educators, industry representatives and students. School profiles are included.
Michelle Klein-Hs surveys the best animation web sites on the Internet, from her own Animation Nerd's Paradise to Spumco's George Liquor.
As part of Animation World Magazine's monthly Hidden Treasures column on archives, Patrick Loughney, Ph.D. defines what animation treasures lie behind the massive doors of the Library of Congress in Washington, D.C
How did they create Jack and Rose's frosty breath? Marian Rudnyk describes the rotoscoping process that was used to bring the Titanic experience to life.
Animating under the camera with sand or paint on glass is a tricky feat. Here a host of experts offer their tried and true methods.
A digital opera in three dimensions, combining the theatrical direction of Robert Wilson, the music of composer Philip Glass and the 3-D stereoscopic animation of Kleiser-Walczak Construction Company (KWCC).
Un article d'Aline Moens, de l'Atelier Graphoui, studio d'animation belge qui a parcicipdivers projets socio-culturels en Afrique et en Bolivie.
An article by Christian Coppin describing his experiences with an animated film project about drug awareness that links Bolivia with Europe. The project was completed with Belgium's Atelier Graphoui, an animation studio that works on pro-social projects.
We asked three companies, Magic Lantern Limited, Transom Technologies and Liquid Light Studios, to describe how they are utilizing animation in unexpected places and for unexpected purposes.
Un article de Christian Coppin qui a animdes ateliers de cina d'animation avec des enfants, des adolescents et des adultes dans des contextes li la consommation de drogue, la fois en Bolivie et en Europe. Ce projet a menpar l'Atelier Graphoui, studio belge d'animation qui travaille sur des projets sociaux-culturels.