Milt Vallas takes us inside China to understand this giant and its current bid for the world's attention.
Dr. John A. Lent puts Ram Mohan and his new company RM-USL into perspective as India enters a new phase of development.
Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Cartoon Network's Michael Lazzo, Senior Vice President, Programming and Production.
The second installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
Charles Solomon speaks with Frank Thomas and Ollie Johnston about Pierre Lambert's book Pinocchio, the film and, of course, Walt and his dreams.
Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland.
On the 30th anniversary of The Beatles' Yellow Submarine, Karl Cohen speaks with the two key TVC production figures behind the film, John Coates and Norman Kauffman.
Peter Chung examines the flaws of today's comics as he reveals the basic nature of visual narrative.
Debra K. Chinn explains the growing U.S. studio interest in international dubbing and the production process involved.
Buzz Potamkin tells us how the much-awaited first annual Annecy International Animated Film Festival faired.
The first installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
Animation World Magazine's annual Jobs & Education issue includes a survey of pointed questions taking a look at the relationship between educators, industry representatives and students. School profiles are included.
Michelle Klein-Hs surveys the best animation web sites on the Internet, from her own Animation Nerd's Paradise to Spumco's George Liquor.
As part of Animation World Magazine's monthly Hidden Treasures column on archives, Patrick Loughney, Ph.D. defines what animation treasures lie behind the massive doors of the Library of Congress in Washington, D.C
Animating under the camera with sand or paint on glass is a tricky feat. Here a host of experts offer their tried and true methods.
A digital opera in three dimensions, combining the theatrical direction of Robert Wilson, the music of composer Philip Glass and the 3-D stereoscopic animation of Kleiser-Walczak Construction Company (KWCC).
How did they create Jack and Rose's frosty breath? Marian Rudnyk describes the rotoscoping process that was used to bring the Titanic experience to life.
Mark Langer relates Walt Disney's role inmaking the atom our friend through his relationships with major Americanarms manufacturers, the U.S. government and the production, Our FriendThe Atom.
Wilson Lazaretti discusses Nleo de Cinema de Animao de Campinas' experiences teaching animation to Amazon Rainforest natives.
Um artigo de Wilson Lazaretti descrevendo suas aventuras ao ensinar animao para os indenas da floresta amazica.
An article by Aline Moens describing her involvement with an animated project in a rural African village in conjunction with Belgium's Atelier Graphoui, an animation studio that works on pro-social projects.