Osmosis Jones blends hokey live-action and slick animation into a cop spoof that is both gross and clever. J. Paul Peszko reveals the process behind these two separate worlds.
This month's Producing Animation excerpt by Catherine Winder and Zahra Dowlatabadi features a visual guide that summarizes the main steps involved in producing an animated project, be it feature, television or direct-to-video.
Gerard Raiti goes behind the scenes of Disney's latest masterpiece, Atlantis: The Lost Empire. Think you've seen all the House of Mouse has to offer? Think again as Disney raises the bar.
DreamWorks super successful film Shrek is being hailed as a departure from the typical fairy tale, however, Maureen Furniss investigates just how racy this re-telling is.
Which 3D packages will get you work and which ones will leave you feeling unwanted? You better choose carefully and John Edgar Park is here to help you out with the decision.
DreamWorks' next CG animated feature is soon to hit theaters nationwide. Chris Koseluk sits down with Victoria Jenson and discusses working with superstar comedians and the latest in technology.
Okay, so maybe ten years is an exaggeration, but why do the majors' feature films take so long to make? Evan Backes investigates.
Heather Kenyon finds out how some of the past years' leading independent films were funded. From Flying Nansen, to On the Possibility of Love, to Rejected, to Clandestino and more, we find out how these clever filmmakers positioned themselves in the money.
Welcome to Producing Animation, Catherine Winder and Zahra Dowlatabadi's new book, which discusses the nuts and bolts and beyond, of the mysterious art of producing.
New to Flash and don't have a clue? James Dalby outlines Flash's strong points from utilization to staffing. If you have a story to tell in five minutes or less, Flash may be just the thing you need.
Through his experienced eyes, Steven Walsh takes a look at the future of feature films in Europe. Will Cartoon Movie prove to be as successful as the Cartoon Forum? What's at stake and play...
Animating for television series has evolved a great deal over the past twenty-five years and the incorporation of digital equipment and procedures is a huge part of this evolution. Here Sylvia Edwards details the production process and how digital tools are impacting the traditional model.
Catherine Feeny visits with Digital Domain to find out how they created a magical world for Ron Howard's latest blockbuster 'The Grinch.'
What do you do when Jeffrey isn't jumping for joy after the first test screening? Go back to the drawing board? No, go back to the script. Co-director Robert Ramirez recounts his experience wrangling together the timeless story of DreamWorks' new straight to video release, Joseph: King of Dreams.
Disneys Teachers Pet is all the rage, and Joan Kim finds it easy to understand why. The combination of unique style and great writing bring this crazy cast to life.
Chris Robinson delves into the bizarre story of Ryan Larkin, once an NFB wunderkind, now a homeless man living in Montreal.
Cyberworld 3D is Imax's next foray into animation. Eric Lurio reports that while the story might not be there, the eye candy makes it all worthwhile.
Amid Amidi looks into the world of producing theatrical-length animation without major studio backing and ponders if the positives outweigh the negatives...
Gerard Raiti looks into why some cartoons make successful live-action features while others don't. Academy Award-winning producer Bruce Cohen helps out.
How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild "classics." Martin "Dr. Toon" Goodman takes us theorizing...
Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain's Romanov, explains why, in the vein of comics, they are actually a source of freedom.
Working on a production that is taking place on three different continents? Need to see that footage today? Need more rendering horsepower to boot? Then you need to meet WAM!NET, a real production service solution. Stephanie Argy explains.
Bill Melendez looks back at working with Charles Schulz, or Sparky as his friends called him, and relays how they produced the classic Peanuts specials we all love.