'Youth Without Youth': A Pinnacle for UPP Prague
David Vana of UPP Prague discusses collaborating with Francis Ford Coppola in this VFXWorld exclusive.
David Vana of UPP Prague discusses collaborating with Francis Ford Coppola in this VFXWorld exclusive.
In part two of his Golden Compass coverage, Alain Bielik explores the vital contributions of Cinesite, Framestore CFC, Digital Domain and Rainmaker.
The Golden Compass marks the holiday season's biggest VFX movie, and Alain Bielik takes a look at Rhythm & Hues' integral work on the daemons in part one of VFXWorld's in-depth coverage.
Beowulf marks the first vfx-intensive performance capture hybrid, so Jerome Chen offers his perspective on entering it in the Oscar race.
Futurama is back, and Joe Strike tells us how the TV series found new life on DVD in the new feature release, Bender's Big Score.
With the feature animation industry booming in India, Lisa Goldman reports on the opportunities and challenges presented by an immense and diverse audience.
Tara DiLullo Bennett cuts to the chase about Battlestar Galactica: Razor with VFX Supervisor Gary Hutzel.
Joe Strike talks to the creators of Disney's Enchanted, who blended new and old to achieve a style that's both fresh and familiar.
Bill Desowitz uncovers what new wrinkles Sony Pictures Imageworks came up with in conquering Beowulf, the new performance capture hybrid from Robert Zemeckis.
VFX Designer Kevin Tod Haug chats with Tara DiLullo Bennett about the escalating challenges of creating imaginative effects on Mr. Magorium's Wonder Emporium while juggling the work of 10 vendors.
Disney launches a new shorts program with a timely Goofy misadventure, and Bill Desowitz gets an AWN exclusive from some of the directors, animators and John Lasseter.
Alain Bielik goes behind-the-scenes of Fred Claus to uncover the fantastical secrets behind this latest Christmas movie.
In this months edition of The Digital Eye, A2M CTO Martin Walker describes how this Montreal-based videogame developer has upped its 3D artistry with a new workflow and pipeline.
Joe Strike gives readers a taste of how DreamWorks Animation worked with Jerry Seinfeld to bring the comedian's vision of an insect society to life in Bee Movie.
Thomas J. McLean reports on vfx upgrades and improvements to Heroes, Smallville, CSI: Crime Scene Investigation and Stargate Atlantis.
Tara DiLullo Bennett surveys the diverse array of vfx in such new shows as Journeyman, Chuck, Pushing Daisies and The Sarah Connor Chronicles.
In this month's edition of "The Digital Eye," digital artist Eric Hanson explains how his new xRez Studio is raising the industry bar for panoramic gigapixel photography.
MPC had numerous challenges to contend with on the more action-oriented Elizabeth: The Golden Age, and Alain Bielik reports on the results.
Craig J. Clark talks with co-creator Bryan Konietzko about the immensely popular action-adventure show.
Alain Bielik explores the vfx wizardry that went into the latest children's magical adventure, The Seeker: Dark is Rising.
Bill Desowitz gets an early peek at the new previsualization techniques developed by production designer Alex McDowell for DreamWorks' upcoming Bee Movie.