The first-time director discusses the dynamics, pressure and satisfaction of helming Pixar’s first prequel.
The Pixar senior scientist and lighting expert discusses the studio’s new physically-based lighting system, Global Illumination.
The veteran creative director and founder of Proof Inc. shares his insights on previs, postvis, pitchvis and the growing importance of visualization across the entire filmmaking process.
CG creatures dominate the latest sci-fi adventure directed by M Night Shyamalan and starring Will and Jaden Smith.
Creators Ed Skudder and Zack Keller talk about their highly anticipated new feature, Dick Figures: The Movie.
Supervisor Nick Markel takes us inside The Third Floor’s previs work on Joe Kosinski's sci-fi thriller.
Bill Desowitz reports back from Pixar about how global illumination is powering the upcoming Monsters University and The Blue Umbrella.
Senior VFX Supervisor Evan Jacobs blends explosive action sequences with a complete Washington DC re-creation, all done in Louisiana.
For A Christmas Carol, Rick DeMott collects the thoughts of the performance capture challenges from director Robert Zemeckis, producer Steve Starkey and stars Jim Carrey, Robin Wright Penn, Bob Hoskins and Colin Firth.
Rick DeMott talks with producer Tom Klein about the challenges of creating the R-rated, 2D animated film, The Haunted World of El Superbeasto, directed by Rob Zombie.
Sony's new CTO Rob Bredow discusses cutting edge technology on Cloudy with a Chance of Meatballs, Alice in Wonderland and Arthur Christmas.
James McQuaide tells us what it was like working on Gamer with the directing team of Mark Neveldine and Brian Taylor, makers of Crank.