Best-in-class concepts from Australia, Korea, Malaysia, Thailand, Indonesia, China and New Zealand will be pitched live to audience of buyers and investors.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Dana Sink's Power (2016)
Every Friday Chris Robinson unleashes improvised and hastily scribbled cheer or loathing on the animation community to be digested, swallowed or... expelled. Today: home and homeland at the forefront of many new animation shorts.
Label will serve as the company’s creative hub for both 2D and 3D animation across Toronto, Dublin and Manchester.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Christopher Mills discusses his music video for Leonard Cohen, Leaving the Table.
Crew announced for the feature, the first in a multiyear production deal between the studios expected to produce a new movie every 12 to 18 months.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Chel White discusses his classic short, Choreography for Copy Machine (Photocopy Cha Cha)
Sarajevo-born, Montreal-based director delves into the production of her latest short film, including the collaborative process, paying homage to a cultural icon, and embracing the imperfections of stop-motion animation.
Canadian independent animation director details the making of her award-winning feature telling the story of a naïve young woman of mixed descent who travels abroad to a poetry festival in Iran.
Director Dorota Kobiela details the production process for creating 65,000 oil paintings comprising the film’s 853 shots alongside co-writer, co-director and producer Hugh Welchman for their first animated feature about the life of celebrated Dutch post-Impressionist Vincent Van Gogh.
Every Monday, Chris Robinson asks an animator how they made a particular film. This week: WoodSwimmer by Brett Foxwell
Animal Logic animation director Matt Everitt, FX supervisor Miles Green and CG/VFX supervisor Greg Jowle discuss the unique challenges of crafting ‘The LEGO Ninjago Movie.’
Application creates real-time facial motion capture and recording without markers using a webcam.
Sue Troyan, Tim Davies and Darcy Parsons team up to deliver creative quality and client trust in the new company.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: David Daniel's classic mindsweeper, Buzz Box (1985)
CG-animated feature directed by Charlie Bean, Paul Fisher and Bob Logan delivers a new perspective on the LEGO Universe.
Trans-Atlantic deal calls for release of a CG-animated feature every 12 to 18 months.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Elizabeth Hobb's Imperial Provisor Frombald
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Faiyaz Jafri's This Ain't Disneyland
The essence of storytelling is directing the attention of another. So what happens when the other has the power to direct his own attention?
Talks with Warner Bros. follow disagreements over strategy with Oriental DreamWorks stakeholder China Media Capital.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Hisko Hulsing discusses Junkyard.
Official Smurfs licensor IMPS and the studio behind adaptations of ‘Spirou,’ ‘Little Spirou,’ ‘Papyrus,’ ‘Jojo,’ ‘Cedric,’ and more join forces to produce a new Smurfs TV series giving the little blue creatures an updated look.
Veteran animation executives helped the Chinese CG animation studio expand into Hollywood with its first comedy feature, ‘Duck Duck Goose,’ which is set for release by Open Road Films on April 20, 2018.
Registration now open for 18th annual computer graphics symposium running October 23-27; entries underway for ‘View Awards’ and ‘Games Bootcamp.’
