Tara DiLullo Bennett cuts to the chase about Battlestar Galactica: Razor with VFX Supervisor Gary Hutzel.
Joe Strike talks to the creators of Disney's Enchanted, who blended new and old to achieve a style that's both fresh and familiar.
Bill Desowitz uncovers what new wrinkles Sony Pictures Imageworks came up with in conquering Beowulf, the new performance capture hybrid from Robert Zemeckis.
VFX Designer Kevin Tod Haug chats with Tara DiLullo Bennett about the escalating challenges of creating imaginative effects on Mr. Magorium's Wonder Emporium while juggling the work of 10 vendors.
Disney launches a new shorts program with a timely Goofy misadventure, and Bill Desowitz gets an AWN exclusive from some of the directors, animators and John Lasseter.
Alain Bielik goes behind-the-scenes of Fred Claus to uncover the fantastical secrets behind this latest Christmas movie.
In this months edition of The Digital Eye, A2M CTO Martin Walker describes how this Montreal-based videogame developer has upped its 3D artistry with a new workflow and pipeline.
Joe Strike gives readers a taste of how DreamWorks Animation worked with Jerry Seinfeld to bring the comedian's vision of an insect society to life in Bee Movie.
Thomas J. McLean reports on vfx upgrades and improvements to Heroes, Smallville, CSI: Crime Scene Investigation and Stargate Atlantis.
Tara DiLullo Bennett surveys the diverse array of vfx in such new shows as Journeyman, Chuck, Pushing Daisies and The Sarah Connor Chronicles.
In this month's edition of "The Digital Eye," digital artist Eric Hanson explains how his new xRez Studio is raising the industry bar for panoramic gigapixel photography.
MPC had numerous challenges to contend with on the more action-oriented Elizabeth: The Golden Age, and Alain Bielik reports on the results.
Craig J. Clark talks with co-creator Bryan Konietzko about the immensely popular action-adventure show.
Alain Bielik explores the vfx wizardry that went into the latest children's magical adventure, The Seeker: Dark is Rising.
Bill Desowitz gets an early peek at the new previsualization techniques developed by production designer Alex McDowell for DreamWorks' upcoming Bee Movie.
Bruce Shutan reports on how Beatles musical, Across the Universe, proved a psychedelic challenge for vfx artist Peter Crosman.
Janet Hetherington talks to the creators behind the original animated movie Superman Doomsday, rated PG-13, in which the Man of Steel faces his greatest challenge -- death.
Craig J. Clark talks with Michael Davis on how he turned his Shoot 'Em Up script into a directing gig with animatics.
Jennifer Champagne snatches a peek behind-the-scenes of The Invasion, chatting with the vfx wizards that re-imagined this classic tale with modern visual effects.
Eric Post and Dee-Marie ventured to SIGGRAPH's first iron animator competition, FJORG! Having survived, they fill us in on all the Viking escapades.
Bruce Shutan talks with veteran vfx supervisor Hoyt Yeatman on teaming with Cinesite, Framestore-CFC and Realscan 3D to present a photorealistic portrait of Underdog.