Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.
Syfy announces a new mythological drama series, Olympus, written by Nick Willing and produced by Reunion Pictures and Olympus TV (London) Limited in association with Great Point Media.
At NAB 2014 eyeon announced the release of their new playback and production solution for 4K HFR up to 120 FPS Stereoscopic, eyeon Generation 4K.
ftrack announces their latest tool, ftrack 2.6, has been adopted by The Mill for global asset management and use on all its commercials going forward.
The 21st Stuttgart Festival of Animated Film offers numerous workshops and presentations by renowned industry experts and animation filmmakers, as well as events and receptions to network and exchange ideas.
One of animation’s most successful producers reflects on her work, her NFB legacy and her plans for retirement.
MGM is developing a new a live-action/animated hybrid Pink Panther movie, with The Simpsons director and producer David Silverman set to direct.
Jake Banks, Matthew Marquis, and Guillaume Marien partner to launch Golden, a new production and post-production company.
The Foundry’s story development tool FLIX has been adopted by DreamWorks Animation for use in the pre-production of future animated features.
Technicolor enhances its leadership role in the digital entertainment space with two key appointments: Tim Sarnoff is named President of new Production Services division, and Claude Gagnon is appointed SVP, Content Solutions and Industry Relations.
Aircraft Productions and Cartoon Saloon announce a major co-production deal to adapt the award-winning novel ‘The Breadwinner,’ written by Deborah Ellis, as an animated feature film.
The Solid State teams with The Smith Family on an animated web series to raise awareness of over 600,000 disadvantaged Australian children.
Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Stardust partners with Cheil Worldwide to create ‘Samsung Galaxy, London Collage,’ a new spot for Samsung.
If you’re a writer you are familiar with the word. You just wrote an Academy Award-quality screenplay or an Emmy-quality series development, put together a solid pitch, gave it to the producer or exec with passion, and he or she responded with the most painful one-word epithet in the English language—Pass.
Out from under George Lucas’ wings, ILM’s legendary visual effects guru takes the helm as Chief Creative Officer.
Feeling displaced, like a stranger in a strange land, lies at the heart of the directors' poignant and expertly crafted short film.
Weta Digital's Joe Letteri discusses the new creature work in the second Hobbit movie, The Desolation of Smaug, highlighted by the eponymous dragon.
Chris Robinson’s candid interview with the longtime producer, hard at work charting a new studio course in an increasingly digital world.