Digital Musings From the Editor:

Continuing our focus on films this month, we look internationally, as Alain Bielik examines the gorgeous hallucinatory work done by Mac Guff Ligne for the French western BLUEBERRY [1], Chris Harz sizes up the London vfx scene, where a flurry of big budget American productions have recently migrated; and on Thursday I take a glimpse of the emerging presence of Shanghai SFS Digital Media as a vfx/3D-animated force to be reckoned with in China.

Plus, check out our exclusive SHREK 2 [2] visual development gallery, which shows off more detail, richness and realistic bounce to the lighting in this highly anticipated sequel opening Wednesday.

Bill Desowitz
Editor