Denise Greenawalt, a longtime publicity executive for Walt Disney Studios, died in her sleep following a long illness May 22 at Huntington Hospital in Pasadena, according to a report by The Hollywood Reporter. She was 52.
During her 16-year tenure with Disney, Greenawalt played a key role in developing and implementing publicity campaigns for many of the studio’s biggest animated hits including The Lion King, Toy Story andToy Story 2, and Beauty and the Beast. She alsohelped launch such major Touchstone Pictures/Jerry Bruckheimer Films blockbusters as Armageddon, The Rock, Con Air and Pearl Harbor.
She retired from Disney for health reasons in 2002. The company's statement announcing her death included tributes to Greenawalt from a wealth of the studio's top execs, producers and talent, past and present.
“Denise was absolutely one of a kind, with her brilliant professionalism and enough energy to light an entire city,” Jerry Bruckheimer said. “We worked on many films together, and Denise made a tremendous contribution to their success, just bubbling over with fresh and bold ideas. She will be missed by all of her friends and colleagues, and certainly by me.”
“All of us at Pixar and Disney, and in the animation industry, have lost a true friend and a great supporter,” said John Lasseter, chief creative officer of Pixar and Disney Animation Studios. “Denise worked tirelessly and enthusiastically to publicize our films and always went above and beyond the call of duty to get the word out about our new releases. She was smart, funny and full of great ideas when it came to publicity. Denise was an important part of the animation renaissance at Disney.”
Songwriter Tim Rice said Greenawalt was “impossible not to love and admire.” Thomas Schumacher, president of Disney Theatrical Group and former head of Disney Animation, said she “was the rarest of combinations: deeply sensitive and compassionate while also relentless and determined. … She carried the torch of Disney Animation with astounding grace and passion.”
Born in Philadelphia on Sept. 23, 1960, Greenawalt attended Loyola Marymount's School of Film and Television and later received her MBA from UCLA. She went to work at public relations firm Rogers & Cowan while pursuing her dream job at Disney. In 1986, she was hired as an assistant for Disney Studios' field publicity department and in 1994 was named vp national publicity.
Her campaigns included work for such films as Tarzan, The Little Mermaid, Aladdin, Pocahontas, Hercules, Mulan, Fantasia 2000, The Emperor's New Groove, Lilo & Stitch, Brother Bear, A Bug's Life, Monsters, Inc., The Princess Diaries, Evita and Gone in 60 Seconds.
“Denise was a force to be reckoned with and as smart as they come,” said Dick Cook, former Disney Studios chairman. “I can't think of any publicity executive more tenacious, talented and driven than she.”
In addition to her numerous professional accomplishments, she was a humanitarian. In 2003, her late Westie, Trevor, received his Therapy Dog Certification, and the two would visit Huntington Hospital patients twice a week.
Greenawalt also volunteered for Elton John's Aids Foundation as well as the La Canada (Calif.) Thursday Club, where she was in charge of the debutante program. Last year, she stepped down and moved into an advisory role.
“The most beautiful and courageous woman,” John said. “She was an inspiration.”
Greenawalt also was a member of ASIFA (the home of the Annie Awards), Women in Film and the Publicists Guild of America, where she and the Disney PR team were honored with the Maxwell Weinberg Showmanship Award for their work on Beauty and the Beast and Aladdin. She was honored by her peers at the guild in 1997 with a special award of merit.
“She was small in stature, but that was where small ended,” said veteran Disney animation producer and filmmaker Don Hahn. “The rest of Denise was expansive, passionate and overflowing with her infectious love of movies and the people who made them. She was like family to rock stars, movie stars, busy executives and geeky guys who animated Mermaids, Beasts and Flying Carpet rides. We were her biggest fans, and she was our sweet, tenacious, dog-loving, Hummer-driving, little sister whom we will always love and never forget.”
“With Denise’s unyielding determination, combined with a bit of luck and some help from the gods, she found a home at Disney,” said Peter Schneider, former Disney Studios chairman and longtime head of Disney Animation. “For over 16 years, when you thought of Disney publicity … you thought of Denise. When you thought about Disney period … you thought of Denise. And, when you thought of humanity, passion and courage … you thought of Denise. She was unique and irreplaceable. Animated with love to the end, she gave her heart and soul to Disney and the studio's artists. And our unconditional love for her … is fixed and permanent.”