Fusion CI Studios and Department of Motion Graphics pooled talents recently to create this lively spot for New Zealand creative agency, Sugar and client, Fonterra. Fonterra's new "smart" water, Whole, leaps into the air then transforms itself into shape after shape -- first a brain, then a bridge, then bananas -- displaying a vigorous character and life of its own.
"From the moment we first laid eyes on the storyboard, we knew this was going to be one of the most challenging projects we had ever undertaken at DMG," said Linds Redding, creative director. "If we had grasped at the time, just how challenging -- we might well have thought twice about saying 'yes' with such unseemly haste. From the outset, we realized we were going to need some specialist help and we were lucky enough to fall into league with the brilliant Mark Stasiuk of Fusion CI Studios in Santa Monica, California."
CG fluids remain among the most confounding effects to achieve natural looks and behaviors, and to push that even further by morphing CG fluid into specific shapes demands advanced skill. Mark Stasiuk, co-owner and CG sup at Fusion CI Studios was very excited about DMG's project as fluid morphing behavior is a technology his studio has been developing. To add the challenge of applying these new methods to a spot where fluid is a mischievous and clever main character was exhilarating... if not daunting.
"When we saw DMG's treatment we were keen to get involved," said Stasiuk, whose studio is well known for producing advanced fluid vfx (and just completed the first ever underwater explosion using RealFlow for Asylum VFX on THE CURIOUS CASE OF BENJAMIN BUTTON). "It was the perfect chance to really push our new morphing technology to achieve some unique fluid fx that we haven't seen outside feature film."
The most challenging shot, both technically and artistically was one continuous 650-frame shot, done in a single, complex simulation, where Whole water transforms from puddle to brain to bridge to bananas.
"Fluid looks most realistic and fluid-like when it's in its natural fluid forms -- droplets, puddles, streams, splashes, "explained Stasiuk. "When you push fluid into a specific geometric shape, you're forcing it to perform unnaturally, while still demanding it look like fluid. As the fluid transforms toward a highly detailed shape, you have to sculpt its motion so its behavior looks and performs naturally. In addition, you have to make sure only the exact quantity of fluid that will fit on the surface of the geometry is attracted to the surface. If you add too much fluid or distribute it badly, it will turn into a giant glob and you won't see the details of the object. And once it's on the shape, you don't want it to look like a static ice-sculpture, so you have to develop ways of making the fluid continue to move even as a still object, creating the illusion of fluid without destroying the details of the geometry. It's tricky."
The key to success was the open and ongoing communication among Fusion, DMG, Sugar and Fonterra, as they sought that delicate balance between creative vision and the bounds of technology.
"It was a very interactive process" Redding said. "We would decide how we wanted the water to look and behave at any given point, and Mark would go away and write a piece of code that would give us the controls we needed to achieve what we wanted. We had a live Skype chat feed running constantly, and exchanged QuickTime movies and test renders via ftp daily."
"DMG was an outstanding group to work with," added Stasiuk. "They gave us the time and creative space we needed to make the fluids work, and had brilliant ideas on how to get the most out of the water. On top of that, their great camera work and lighting made the water look fabulous. The teamwork on this project created a startlingly distinctive and stunning piece that speaks for itself."
See the commercial at:
http://www.fusioncis.com/press/Whole30_Brand-Desktop.m4v
Credits:
DMG
Director: Linds Redding
Producer: Kiri Hay
3D modeling, lighting and rendering: Linds Redding
Compositing: Dan Short
Grading and Finishing: Dan Short
Additional 3D modeling: David Downes
Intern: Mell Tuskia
Fusion CI Studios
CG Supervisor: Mark Stasiuk
Exec Producer: Lauren Millar
RealFlow artist: Max Daniels
RealFlow artist: Victor Luba
Sugar
Producer: Pat Cox
Writer: Nigel Corbett
Art Director: Marc Chetcuti
Account Director: Vanya Piacun
