Anpanman Museum,
or Yanase Takashi Memorial Art Museum, located in the cartoonist Yanase's
hometown, Kahoku-cho, Kochi Prefecture, Shikoku, in the southern part of Japan,
opened on July 21, 1996. Financially speaking, this is, at the moment, the
most successful cartoon/animation related museum in Japan, and is now receiving
more visitors than the Tezuka Museum in Takarazuka, Hyogo Prefecture. This
is a museum devoted to an enormously popular cartoon hero created by Mr. Yanase,
who was born in 1919, graduated from Chiba University as an industrial design
major, and went on to become a cartoonist, illustrator and author of children's
books. Yanase is also quite well known among animation enthusiasts as the
director of the animated short Yasashii Lion (The Gentle Lion),
produced by Mushi Productions in the 1960s, and character designer of Osamu
Tezuka's animated feature A Thousand and One Nights. Yanase created the Anpanman character
in the picture book Anpanman, published in 1973. The original story
goes a little something like this: A baker named Uncle Jam was baking bread
one night. Suddenly, a fragment of a golden star fell through the chimney,
and became the character called Anpanman. Anpan is one of the most popular
pastries in Japan and is a round bread with sweet bean paste filling. Anpanman,
a fairy tale superhero with an Anpan-head, can fly and fights for justice,
but hates violence. He tries to save the world not with his physical strength,
but rather by sacrificing himself. For instance, he saves a hungry boy by
allowing him to eat his head. After his job as a superhero is done, he returns
to Uncle Jam. Anpanman's head is often half, or even completely, eaten up.
Thanks to Uncle Jam though his head is revitalized over and over again, because
baking the Anpan-head is not a difficult task for the baker. One Baked Man's Success
Anpanman moved to a monthly picture book Shi to Marchen (Poetry
and Fantasy), which is edited by Yanase himself and was serialized. Soon
Anpanman stories became popular among children, and an Anpanman picture book
series followed. In October, 1988, the TV cartoon series Go Go Anpanman
was launched on the NTV (Nippon Television) network. This half-hour cartoon
series continues even to this day. Anpanman also became the Sunday color comic
strip in the Yomiuri Shimbun, one of the three major newspapers with
a nationwide circulation, and won the Japan Cartoonists Association's Grand
Prix in 1990.
Since the TV cartoon series began, Yanase
has created more than six hundred side characters for the series. Surprisingly,
all of them have names. Anpanman's arch villain, Baikin-man (Germ Man) always
tries to beat Anpanman and his bread friends, who are the good guys, but never
succeeds. Although Baikin-man is a threat to the bread world, this cute, sloppy
villain is also popular with the child audience. Most of the side characters
are derived from various kinds of food, such as bread, sweets, etc. Many female
characters have also been created as members of the Anpanman family. The popularity
of the series owes much to the variety of side characters like Cheese, a dog,
and Loaf Bread-man -- all related to children's favorite snacks and foods. The Amazing Draw of Anpanman
The first Anpanman animated feature film was released through Shochiku Films
in the summer of 1989. Every summer since then, children await for a new feature
to open. So far ten such features have been released. The Anpanman films feature
simple animation for children, but are also filled with good songs which they
can easily sing. This is another major point of its popularity. To ensure
quality, Yanase never fails to check the script. Once, a film was almost completed,
but Yanase was not satisfied, so it was re-shot. During the summer of 1999,
Yanase will be checking the script for the new feature, which will be about
Anpanman's adventures in space.
When the Anpanman Museum was built, the Mayor of Kahoku-cho was quite
anxious. He figured the museum would only be maintained with a minimum of
100,000 visitors per year. To his happy surprise, the museum received 300,000
visitors during its first year!
The museum is a four-story square building on 3,766.7
square meters of land. The top or fourth floor is an exhibition hall for Yanase's
original Anpanman illustrations, drawn and painted especially for the museum.
Visitors can see about a hundred of these Anpanman pictures. Animation cels
are also exhibited on this floor.
The second and third floors consist mostly
of storage space, but the glass walls enable visitors to peek in. Mr. Yanase
is the Honorary Director of the museum and has an office on the third floor.
With his home and studio in Tokyo, Mr. Yanase travels from Tokyo to Kochi
almost every week. Besides the exhibition in this museum, Anpanman-related
exhibitions are held somewhere in Japan all of the time, so Mr. Yanase is
definitely one of the busiest cartoonists in Japan.
On the first floor, one will find the
museum's souvenir shop and Anpanman Theater where one can see Anpanman television
cartoons on video. On the basement floor is Anpanman World, a sort of playground
for children where they can play with Anpanman dolls or be fascinated by miniature
scenes. On Sundays and holidays, members of the staff wear Anpanman or side
character costumes and entertain the children.
The Anpanman Museum is for children who
enjoy their first anime experience through Anpanman cartoons, and become interested
in this medium. However, the museum personnel were surprised to discover the
wide range in their visitors' age groups. The age span has been from 18 months
to 90 years-old! The museum never expected visitors of such varied ages. It
is not uncommon for three generations to arrive in a family sedan, holding
perhaps five people. The Anpanman Museum is an attraction for the whole family
in the truest sense, appealing both to infants and senior citizens alike.
Since 1997, a new trend has seen an increase in the number of junior and senior
high school girls among visitors.
A Wide Range of Influence The Anpanman TV cartoon series is aired
in Korea, Thailand, Spain and Brazil. Anpanman picture books have been published
in Korea and China. NTV is now preparing to sell the series to English-speaking
countries. In truth, the significance of Anpanman
is in its simplicity. To be accessible to children, the storylines are simple,
and so are the drawings which are created using only simple lines. A child
can easily draw Anpanman. Yet the philosophy behind this superhero character
is not necessarily that simple. Yanase created this character with this thought
in mind: Those who do justice must somewhat sacrifice themselves, too.
Before the Anpanman Museum opened, Kahoku-cho was a totally unknown town.
Now, however, it is very different with Kahoku-cho blossoming into a boom
town. To get to the museum, it is a 30-minute drive from Kochi Airport, or
a 45-minute drive (or an hour bus trip) from the center of Kochi City. Last
August, Kochi Prefecture was hit by a typhoon, and traffic conditions were
at their worst. Despite this, the museum received quite a lot of visitors.
As of July, 1998, the total number of visitors since its opening has reached
an amazing 500,000.
Reflecting the popularity of Anpanman are the amazing sales of Anpanman-related
merchandise, which in the past ten years has reached a total of ¥400 billion
(roughly US $3.5 billion). So far there have been over 350 Anpanman picture
book titles, and Anpanman videos have sold more than two-and-a-half million
copies.
Anpanman Museum Details
Address: 1224-2, Birafu, Kahoku-cho, Kami-gun, Kochi-Lon, 781-4212, Japan
Telephone: (81) 08875-9-2300
Fax: (81) 08875-7-1410
Hours:
July-August: 9:00 a.m. -- 6:00 p.m.
September-June: 9:30 a.m. -- 5:00 p.m.
Closed on Tuesdays.
Entrance Fee:
Adults: ¥600
Junior High -- High School Students: ¥400
Children (over three-years-old): ¥300
Senior Citizens (over 65) or Handicapped: Half Price
Access:
From Kochi railway station: 45 minutes by car or 1 hour by bus.
From Kochi port: 1 hour by car.
From Kochi airport: 30 minutes by car or taxi.
Kosei Ono is a Tokyo-born graduate of the International Christian University
of Tokyo. A writer and film critic, he is also a member of ASIFA Japan. His
books include: History of Chinese Animated Films (1988), Tezuka
Osamu (1990) and Asia no Manga (Cartoonists of Asian Countries)
(1995). He is also a translator of such books as Little Nemo in Slumberland
and Bone. He is currently preparing the book, History of Japanese
Animated Films.
Links:
[1] http://www.awn.com/imagepicker/image/4541
[2] http://www.awn.com/imagepicker/image/4542
[3] http://www.awn.com/imagepicker/image/4543
[4] http://www.awn.com/imagepicker/image/4544
[5] http://www.awn.com/imagepicker/image/4545