The overall VFX supervisor on James Gunn’s new Marvel action hit discusses the film’s main visual effects sequences.
Leading visualization house provides extensive previs and postvis services to the new Marvel Studios motion picture ‘Guardians of the Galaxy.’
ZEUS:Scout is a one-stop app enabling users to travel through a “virtual set” while on location, providing a powerful suite of navigation, creative and technical tools.
Rules MUST be changed when new ideas and innovations arise. Rules that keep us from moving forward are stupid.
MPC’s previs supervisor Duane Floch discusses three different POVs and lots of apes used to create the Colony Attack scene in Matt Reeves’ hit sequel.
The Third Floor supervisor Eric Carney walks us through the previs on Gareth Edwards’ hit reboot of the Japanese classic.
Previs supervisor Mark Nelson walks us through almost 18 months of previsualization on Rob Stromberg’s hit film.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
The Academy to present an in-depth look at the groundbreaking production methods used in the Oscar-winning film Gravity featuring an on-stage discussion with members of the film’s creative teams.
Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.
Psyop teams with creative agency BFG on a combat-soaked trailer for Supercell’s game of strategic chaos, Clash of Clans.
Presvisualization specialist founded by Pepe Valencia has big growth plans as more film, television and commercial productions embrace previs as a planning tool.
LightWave 3D Group announces the final release of LightWave 11.6 software for 3D modeling, animation, and rendering and of the NevronMotion plug-in for LightWave 11.
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
Proof provides visual effects, including previs, postvis, final VFX shots and motion graphics, for the Universal Pictures sci-fi action feature, Riddick.
International visual effects house Method Studios and previsualization company HALON Entertainment announce a strategic alliance to jointly provide previs and VFX services to feature film and commercial clients.
VFX house Nvizible announces the company’s involvement with UK sci-fi feature, Our Robot Overlords, starring Gillian Anderson and Sir Ben Kingsley.