The Digital Domain Institute (DDI) and the Florida State University College of Motion Picture Arts (FSU), opened its doors to its inaugural class of students in West Palm Beach.
Production company Digital Frontier used thinkingParticles, one of the flagship VFX products developed by cebas Visual Technology, to create the visual effects for Japan’s 3D computer-animated CG film, “TEKKEN Blood Vengeance 3D.”
New York and Melbourne-based studio XYZ announced that it has added Mat Landour to its artist roster.
Bob Balser, the animation director on Yellow Submarine, and his wife Cima share their impressions of the Oscar Showcase DreamWorks studio visit.
Part of the Shop Talk Masterclass Series sponsored by Studio Technique, a masterclass with legendary Disney animator Andreas Deja will be held in Montréal on June 2 & 3, 2012.
Fred Seibert sits down with animation journalist Joe Strike for the latest in Joe’s “Interview with an Animator” conversation series at MoCCA on Thursday, March 15.
Hollywood-based VFX company Dilated Pixels created over 60 VFX shots for a special, recently-aired episode of FOX TV’s hit series “Fringe.”
Tradition Studios, the new animated feature film studio of Digital Domain Media Group, announced that Mike Markowitz has signed on to write its next animated feature.
In the latest release from The Gnomon Workshop -- Character Rigging: Production Practices and Techniques -- respected technical director (TD) Axel Stanley-Grossman demonstrates why a quality character rig is important, while also providing a comprehensive set of practices and techniques needed to create character riggings for triple-A video game titles.
Cinesite completed over 800 visual effects shots and converted over 87 minutes into 3D for Disney’s “John Carter.”
The National Film Board of Canada (NFB) added to its roster of more than 90 Genie Awards on Thursday, with the Academy of Canadian Cinema & Television naming “Romance” as the top Canadian animated short film for 2011.
Director David Rosenbaum of Digital Domain's advertising and entertainment production company Mothership was tapped by Nike to launch its revolutionary new Flyknit technology and shoe collection.
9 Story Entertainment announces its new and returning animation slate for MIPTV, featuring “Fugget About It,” the company’s first foray in producing primetime animation.
Testronic Labs, Kuju Entertainment, and Doublesix Digital Publishing, sister companies of the Catalis Group, have unveiled FullCycle, an integrated, quality-focused services package for the development, digital publishing and testing of video games.
Caviar has been gearing up for this year's SXSW with its ongoing collaboration with The Super Serious Show, which includes two performances on March 12th co-produced by Caviar with Funny or Die; and Caviar director Keith Schofield's infamous music video "Big Bad Wolf" for Duck Sauce, which will be showcased on March 9th.
New Line is moving forward with “Journey 3,” signing deals with “Journey 2” director Brad Peyton and writers Brian Gunn and Mark Gunn.
Tickets for the world premiere of “Ice Age Live! A Mammoth Adventure,” presented by Twentieth Century Fox Consumer Products and Stage Entertainment Touring Productions, go on sale on March 9.
Produced by Portland animation house Bent Image Lab, “Zero Rats” features Fred and Carrie as animated rodents attempting to break into a zero packaging grocery store.
Immersive design consortium 5D | Institute will kick off their world-building design discussion series in Los Angeles on March 13, 2012 with ʻ5D | FLUXʼ presented in association with Autodesk and USC School of Cinematic Arts.
For some time now I have been promising myself a return to organic art. In my case this means line drawing. I love how line fluctuates, swings, cuts, curls, twists, envelopes, stubs, caresses, how it becomes a natural extension of an artist, how its creator can funnel into it the inner thoughts, passions, desires, frustrations or dreams.