Exec brings extensive production experience in film, television and commercials to the company’s advertising division.
Award-winning graphic novel series spins a heist story out of Bram Stoker’s ‘Dracula’ mythos.
Delivering 229 shots, including a nearly all-CG finale sequence, VFX powerhouse leads work on the two main CG characters -- Colossus and Juggernaut -- as well as providing superhero VFX and animation work.
From soaring Googie architecture to fabulous terrazzo flooring, production designer Ralph Eggleston, visual designer Philip Metschan, shading art director Bryn Imagire, and sets supervisor Nathan Fariss join forces to create the incredible world of director Brad Bird’s ‘Incredibles 2.’
Toronto-raised filmmaker Domee Shi will make a presentation on the making of the short, which screens in front of ‘Incredibles 2.’
On the 65th anniversary of the 1953 animated classic, AWN’s resident ‘Miscweant’ speaks with Kathryn Beaumont, the voice of Wendy in Disney’s ‘Peter Pan.’
Classic animated feature celebrates its 65th anniversary with new edition featuring new and original bonus features.
The prolific animation writer, director, producer and artist worked on numerous fan-favorite animated series and won two Daytime Emmy Awards for ‘The Smurfs.’
Stop-motion wizard Patrick Bouchard (2018's 'Le Sujet'/'The Subject') thinks back on his 2002 debut film, 'The Brainwashers.'
Production VFX supervisor Dan Glass doubles down on the creation of a more unified Colossus with simultaneous facial capture and voice performance, and geometry-based character animation.
Co-producer of the highly anticipated ‘Star Wars’ feature is the newly appointed head of ILM.
Adam Elliot (Mary and Max) winner of many shiny trophies and a few envelopes of cash answers today's deeply existential queries to help guide you through the rough seas of daily life.
The DreamWorks TV Animation veteran artist talks about her different approaches to character and conceptual design projects, the dynamic of realizing a strong director’s vision, such as Genndy Tartakovsky, and challenges she faced on shows such as ‘Samurai Jack.’
Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.
Encounters Short Film & Animation Festival celebrates the creativity, diversity and the impact of short film by connecting industry with audiences.
The 13th edition of Anim’est International Animation Festival will take place from September 28 to October 7 in Bucharest, Romania, and the deadline for submissions is June 20, 2018.
Based on the spirit of Love & Peace, the 17th International Animated Film Festival – Hiroshima 2018 kicks off on August 23 as a venue for the international cultural exchange and the development of the art of animation.
With its long historical background in Korean Animation, SICAF seeks to harmonize traditional Animation with modern culture; it strives to make both technical and social changes within society.
Feature will be based on the author’s 1980 children’s book, which is not connected to the Game of Thrones saga.
Comic-Con International: San Diego is a nonprofit educational corporation dedicated to creating awareness of, and appreciation for, comics and related popular artforms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contribution of comics to art and culture.
‘The Simpsons’ creator’s fantasy series will be animated by ‘Futurama’ veterans Rough Draft and feature the voices of Abbi Jacobson, Nat Faxon and Eric Andre.
Anima Mundi, the International Animation Festival of Brazil, takes place in Rio de Janeiro July 20 – 29, 2018
Claudia Spinelli to oversee project as newly promoted VP of animation development at the network.
The indie director discusses her animated film project performed with live music, her residency at the Open Workshop in Viborg, Denmark, and her feelings about artistic inspiration and choice of technique.
Weta Digital and Digital Domain transform Josh Brolin’s motion capture performance into a believable and imposing CG adversary.
