While the entire world recognizes the Oscar, past winners reflect on what the statue means to them and has meant to their career. The answers will surprise you.
Hern Henriquez, one of Cuba's animation legends,speaks about his role in Cuban animation history and working side by sidewith Castro's revolution. L Zagury leads the conversation. Availablein English and Spanish.
Hern Henriquez, one of Cuba's animation legends, speaks about his role in Cuban animation history and working side by side with Castro's revolution. L Zagury leads the conversation. Available in English and Spanish.
Fred Seibert, former President of Hanna-Barbera and MTV's original creative director, has been named President of MTV Networks Online, reporting directly to Tom Freston, Chairman and CEO, MTV Networks. MTV Networks Online will be based in New York along with a satellite office in San Mateo, California.
Julia Pistor, a founding executive of Nickelodeon Movies, has been promoted to Senior Vice President of the division. Pistor, who will continue to report to Albie Hecht, President of Film and Television Entertainment for Nickelodeon, will relocate to Los Angeles from the company's headquarters in New York. She will be responsible for broadening Nickelodeon's feature development slate and continue its mandate to produce kids-first movies, star-driven family films and animated features.
New York-based CURIOUS PICTURES has added Michael Bennion to its directorial roster for representation in the United States. Bennion, collaborating with Curious director David Kelley, recently completed his first job under the Curious Pictures banner, a pool of spots for CDnow. For the last year, Bennion has been associated with The End (London, England), which will continue to rep him outside of the US. While there, he created ads for MTV and LUCKY, a live-action short film.
New York-based THE ATTIK has hired STEPHEN KINNEY as senior producer. In addition to managing creative aspects of projects and branding strategies, Kinney will focus largely on building creative resources and live-action production. Kinney, 28, joins The Attik from Pittard Sullivan (New York, NY), where from 1997-1999 he was a producer working on a variety of network broadcast branding projects including the launch package for Canadian cable sports network CTV Sportsnet, and projects for ESPN, AOL, CBS and Lifetime, among others.
Hollywood-based RUGRATS producer Klasky Csupo has promoted Hal Waite to senior vice president of Feature Animation, which now plans to produce one feature film per year, and Cella Duffy to senior vice president of Television Animation. Waite, who has been with the company since '96 and was a co-producer on THE RUGRATS MOVIE, is currently working on the RUGRATS sequel, scheduled for Christmas 2000.
PACIFIC DATA IMAGES (PDI) has promoted JANE HARTWELL to associate producer of their second DreamWorks/PDI animated feature co-production SHREK. Previously, Hartwell was Senior Production Manager on SHREK and Production Manager on the first of PDI's animated features, ANTZ. Her expanded responsibilities include involvement in creative, technical and financial aspects of the production. Hartwell is also responsible for the creation of the overall schedule for SHREK and oversees the story, character, lighting, effects and technical director departments.
PDI has hired Arnauld Lamorlette, 34, formerly vice president and director of R&D at the Paris-based studio Buf Compagnie, to join PDI's visual effects team. Lamorlette has been named a Senior Visual Effects Developer on SHREK. Aron Warner, SHREK producer, said, "He has been brought on to PDI's team to oversee the creation of computer-generated human characters and the rich organic world they will inhabit in SHREK.
Art director, designer and effects compositor ANNE WHITE has joined the Hollywood-based broadcast design and creative marketing agency 3 RING CIRCUS as executive producer. White will serve as a go-between for the clients and the creative team, as well as overseeing branding, marketing and promotional campaigns for broadcasting, cable, commercial and multimedia markets. She joins the company from Minneapolis-based HypeHouse, a marketing communications and design agency she co-founded in 1996.
ELIZA MCLATCHY has been named associate producer at Boston-based LOCONTE GOLDMAN DESIGN. In this post, McLatchy will work with senior producers and operations to develop and maintain the structure of projects. She will also serve as the liaison between creative personnel and the operations department. Prior to joining LoConte Goldman, McLatchy, 24, freelanced for the company on a variety of projects including "ESPN Speedworld," Romance Classics Network "Fire & Ice Valentine's Special," and a corporate image video for Lotus Development Corporation.
Spontaneous Combustion, the New York-based digital studio specializing in visual effects, has added desktop artist Bryan Keeling to its graphics team. Keeling, 27, specializes in Adobe After Effects and other desktop paint-and-animation packages. Keeling makes the move following a four-year stint at Pittard Sullivan.
PIXAR has announced that its Chief Financial Officer and executive vice president, Lawrence Levy, will leave his post at the end March to take personal time off. No replacement has been announced yet. Levy will continue to be involved with Pixar as a member of the company's Board of Directors. Pixar also announced that it has appointed Chief Technical Officer Ed Catmull to its Board.
Commercial director and graphic designer JAY VIGON has joined 3D animation and effects company RHYTHM & HUES STUDIOS. His most recent projects in the broadcast video graphics arena include spots for Ericcson Cellular, Miro's Wearever line of pots and pans, Deloitte Consulting and Janus Mutual Funds. His long history of work in the graphics field ranges from designing the logo for Gotcha Surf Wear and the third STAR WARS film, RETURN OF THE JEDI, as well as authoring two books on logo development and design: MARKS I and MARKS II.
Digital ink, paint and compositing house VIRTUALMAGIC ANIMATION has hired CHRISIE RUSSELL as Production Manager and promoted Ryan Robertson to the same position. Russell joins VirtualMagic from Warner Bros. Feature Animation where she was Assistant Production Manager on their last three features, THE IRON GIANT, SPACE JAM and THE QUEST FOR CAMELOT. Ryan Roberston, previously the production manager and art editor of the bi-monthly magazine HOT LAVA, joined VirtualMagic in 1997 as an Administrative Assistant.
Eric Huelsman meets Jerry Steele, Charlie Watson and Michel Gondry, three leading artists who lurk behind the latest and greatest commercials and music videos.
PDI's Lee Lanier, director of Millennium Bug, describes how he took black and white photographs and turned them into a moving, satirical peak at the future.
Comedy Central has promoted advertising executive Larry Divney to president and chief executive. Hereplaces Doug Herzog, who left the channel last month to become chief ofFox Broadcasting. Divney has directed Comedy Central's advertising salessince the network's inception in 1991, and has worked at CNN, MTV and theA&E Network. With Herzog's initiative, the network has found tremendoussuccess with original animated programming like SOUTH PARK, BOB ANDMARGARET and DR. KATZ: PROFESSIONAL THERAPIST.
Disney Interactive has appointed Frank Evers to vice president of product development andproduction. Evers assumes overall responsibilities for the development ofall Disney Interactive products. In this role, he will oversee staffing,long range product planning and the development of policies, processes andquality assurance procedures for product content. He will report to JanSmith, Senior VP and general manager of Disney Interactive worldwide. Priorto joining Disney, Evers was VP of production at Activision, spearheading
Chicago-based TRICKY PICTURES has added Frank Anderson to its roster of directors and will be repped exclusively by the company.Anderson, a 17-year veteran of the commercial production business, hasworked on animation campaigns for McDonalds, Unicef World Fund and Procter& Gamble. Anderson's diverse styles range from "photo-mation," a techniqueemploying cutout photographs animated like stop motion puppets, to pixilation (animating humans frame by frame). "Frank shares our philosophyof integrating a variety of production techniques, manipulating textures
Boston-based LOCONTE GOLDMAN DESIGN hasnamed five-time Emmy Award-winner Scott Pressler to Senior Design Director.Pressler has worked as an independent designer for the last 10 years with anumber of high-profile clients. Pressler was a broadcast designer for NBCSports from 1989-1996. While at NBC, he was the creative director andsenior designer of the 1996 Olympic games in Atlanta, and designer andcreative director for the 1992 summer Olympic games, Wimbledon '92-'94, NFL
PDI (Pacific Data Images) has named ANTZ Production Designer, John Bell as the division's Creative Director. Bell's new responsibilities include managing the production design staff, and overseeing the creative direction and design techniques of the rapidly growing commercial and film effects unit as it continues to broaden beyond its present size and scope. "John has contributed to some of the most significant special effects films in the last decade," said Patty Wooton, PDI's Senior VP or Production.
Eric Rollman has been upped to president of production for Fox Family Worldwide, a joint venture between Saban Entertainment and Fox News Corp. His new role puts him in charge of production for Fox Family Channel, Fox Kids Network and Fox Kids International, as well as continuing supervision of on-air promo material production for the various channels.
New York-based LoConte Goldman Design has promoted four-time Emmy winner Arne Jensen to Senior Designer. Jensen has worked on numerous projects since joining the company in '96, including the ABC News NIGHTLINE redesign and ESPN SPEEDWORLD and NFL DRAFT graphics packages. In addition, Kenneth Shaw has joined LoConte's team of designers. Shaw had most recently been working for Olive Jar as a composite artist. "Ken impressed us with his natural ability to bridge the creative with the technical.