MTV: Music Television has promoted Carol Eng to svp of original programming. She will oversee production of shows on the network and will assume increased responsibility in managing the original programming department. Eng is based in MTVs headquarters in New York City and will continue to report to John Miller, evp of series and animation. Eng, an MTV 15-year vet, has produced MTV's signature events such as SPRING BREAK and THE VIDEO MUSIC AWARDS. She transitioned over to the original series dept.
NXN Software, a leading supplier of asset management solutions for the digital entertainment and computer graphics industries, has appointed Ernie Cicogna as its new general manager of U.S. operations, hired Neil Leshner to manage major account sales, and promoted Katja Reitemeyer to director of account management. These appointments support NXN's ongoing expansion into the games, film and simulation markets.
Company 3 New York has hired two-time Monitor Award-winning colorist Roger H. Doran for his long-form work Company 3s fastest growing market segment. His recent credits include the HBO series SEX AND THE CITY and THE WIRE. His background also includes music videos and commercials.
Headquartered in Japan and representing more than 20,000 creative individuals, Creek & River has recently opened offices in New York. Rich Gorey speaks with Charlie Schroder to learn about the trends the company sees and its unique positioning for the future.
Jayson Moyer, a young comedy director, has signed with Area 51 Films in Santa Monica, California for exclusive representation in commercials. Since launching his career two years ago via Believe Media, Moyer has established himself as an original comic stylist through work for such clients as IKEA, Molson and the Sci-Fi Channel.
Will Vinton, founder and chairman of Vinton Studios 27 years ago, who trademarked the animation term Claymation, a technique he and his studio were famous for, has left the company. "I have been laid off along with a number of staff members," Vinton said April 17, 2003 in an e-mail, a copy of which was obtained by THE OREGONIAN. "I will be leaving the company as an employee right away." He also told employees that he resigned from the Vinton board of directors April 14. He could not be reached for comment.
Philadelphia-based Shooters, Post & Transfer has added Janet Falcon as its second colorist, and upgraded equipment to expand its film transfer and color correction capability according to Ray Carballada, coo of Shooters.
Creative solutions company mOcean is expanding its business outreach to the worldwide marketplace by naming Javier Prelooker director of new business development, international markets. Prelooker will focus on bringing the Venice, California-based studio's entertainment marketing services across all media to the Ibero-American marketplace. Kevin Aratari, managing director of mOcean, said, "The international Hispanic market has grown and matured enormously in recent years.
Lisa Gregorian has been promoted from sr vp of marketing and research at Warner Bros. International Television Distribution to sr vp, Television, Warner Bros. Marketing Services. In her new position she will continue to oversee all marketing for WBITD and will take on marketing for WB Television (network television production) and WB Animation. She reports to Bruce Rosenblum, exec vp at Warner Bros. Television Group and will work closely with Jeffrey Schlesinger, president of WBITD, WB Television president Peter Roth and WB Animation president Sander Schwartz.
Dan Lombardo has been promoted from vp of production to general manager of Cinesite Hollywood, reporting to Colin Brown, Cinesite Worldwide CEO. Lombardo will guide the studio in its new concentration on providing digital film mastering, restoration, and scanning and recording services to filmmakers. The studio recently closed its visual effects department, moving all such work to Cinestie Europe in London. "Cinesite Hollywood will focus on providing hybrid digital-film services," Brown said. "Cinesite is also a window on the industry for Kodak scientists who are exploring ways to build bridges between the film and digital worlds." Lombardo began his career at Amblin Entertainment. He advanced through the management ranks at several leading-edge digital effects facilities including Digital Domain. He was exec producer/vp of production at Computer Film Company and Manex Visual Effects before joining Cinesite in 2001. Lombardo has managed creative teams and technology tools needed to complete VFX work on up to 28 films in a year including the recently finished Twentieth Century Fox release, X-MEN 2. Cinesite is a Kodak subsidiary and part of the company's entertainment imaging division. For additional information, visit the Cinesite Website at www.cinesite.com.
Lars Fuchs, joins Click 3x in New York City as its full-time, staff editor in a newly installed Avid edit suite. Fuchs was most recently on staff at BBC America and is currently a nominee for a Daytime Emmy Award for his work there on the popular reality series WHILE YOU WERE OUT, which airs on The Learning Channel. He is already at work on his first assignment for Click 3x, a Canon campaign out of DCA Advertising, New York. Fuchs has broad experience in cutting broadcast promos and commercials, including work for Columbia Tri-Star, VH1, Comedy Central and Hearst Entertainment. His credits also include the main title sequence for the second season of SURVIVOR. On that project, he collaborated with Click 3x creative director, Iain Greenway, then creative director at the design house TZ. Fuchs was on staff at HBO from 1999 to 2000, where, among other things, he edited image campaigns for the series OZ and THE SOPRANOS. He began his career with Teatown Video and Post Expressions in New York City, then landed a job with Minerva Film/Video in Copenhagen. He later moved to Hong Kong where he worked for TNT and Cartoon Network to support the networks Asian launch. He also worked for two years at Post Production Shop, Hong Kong, and Guede Films in San Juan, Puerto Rico. At the latter posting, he edited commercials targeted at Latin American markets for such advertisers as McDonalds, Budweiser and Procter & Gamble. Click 3X (www.click3x.com), provides visual effects, computer animation and broadcast design services to the advertising and television industries.
Blanche Frankel has been promoted from exec director to VP at SAA Public Relations. Based in the companys New York office, Frankel will continue to oversee the Latin American division, in addition to seeking expansion opportunities and developing new business for SSA and manage its New York office operations. Frankel joined SSA in 2000 as director, and in 2002 she was named to head SSAs newly-formed Latin American division representing Latin American entertainment companies Globo TV and Comarex S.A. de C.V., as well as provide media relations and marketing representation for U.S.
Abbe Daniel has joined Click 3x in New York City as executive producer for broadcast to oversee the studios broadcast department which provides brand development, design and production services for broadcast and cable entities. Daniel had been working with Click 3x on a freelance basis for several months, producing projects for iN DEMAND, Nickelodeon, Lifetime and Discovery. She worked for several years as coordinating producer for award-winning television journalist Bill Moyers on a series of acclaimed documentaries for PBS and helped launch NOW WITH BILL MOYERS.
Charlie Breakiron has signed on as lead animator at Serious Robots, a cutting-edge 3D broadcast animation and visual effects shop in Raleigh, North Carolina. In his new role, Breakiron will be heading up all 3D computer graphics at Serious Robots (www.seriousrobots.com). The 14-year veteran has served at leading graphics houses such as Fox Animation Studios (TITAN AE); Quiet Man in New York (AT&T, Disney); Janimation in Dallas (new Barney show, K-Mart); Metropolitan Audio-Visual (Diamondback logo effects) and more. Pixel Liberation Front (PLF) hired Breakiron for a cinematic promoting the 3D action/adventure game MEDAL OF HONOR. "Charlie is nationally ranked talent," stated Tom Waring, CEO of Trailblazer Studios, the parent company of Serious Robots. "When he first came in, his outstanding capabilities were obvious immediately. He also generated great chemistry with our team. After only several days it was clear Charlie was the caliber of artist we need. Were hoping to put together a dream team at Serious Robots, and Charlie will be an integral part of that."
Radium, with studios in San Francisco and Santa Monica, California, has hired three new people to bolster various areas of the growing visual effects company. Julie Luehrman is on board as VP marketing & sales, based in the companys San Francisco location. Executive producer Matthew McManus and technical operations manager Michael Chizzo have joined the Los Angeles office.
Create TV & Film Ltd., the newly-established independent production company formed earlier this year out of LEGO Media Internationals TV and film division, has defined its new management team and structure. Vanessa Chapman has become managing director of Create, as well as global controller, TV, film & strategy. Michael Carrington is now head of television and new media, responsible for providing creative, editorial and managerial leadership across the company's television and new media activities.
Joseph Gilland, who headed up Walt Disney Feature Animation EFX department in Florida for LILO AND STITCH and TARZAN, has joined Bardel Entertainment in Vancouver, Canada to be special effects supervisor on the SILVERWING animated series. "SILVERWING is just such a fantastic story. It is one of my son's favorite books and I absolutely jumped at the chance to be part of bringing SILVERWING'S story to life!" said Gilland.
Consultant William B. Doeren has been named VP of the Kodak Entertainment Imaging division and GM of Kodak Digital Cinema Group, based in Culver City, California. He replaces Robert J. Mayson, who becomes VP/GM of Image Origination Products in the same Kodak division. Doeren worked closely with the team marketing the Kodak Digital Cinema Operating System, which includes a networked solution with unique Kodak software running on a Linux platform, supported by the 4,000-member Kodak global service organization. Doeren emphasizes that the system will be used initially for pre-show applications. "The pre-show business is evolving and growing rapidly and we foresee that continuing," he said. "That's why we are taking the long-term view, providing a Kodak solution that supports the growth of pre-show revenues today, and also protects our customers' investments by providing the 'backbone' for them to digitally project movies tomorrow." A 30-year vet in the exhibition business, Doeren has served in a broad range of senior management positions, including COO/director of AMC Entertainment, Inc., chairman/CEO of MGM International Cinema Group and CEO/vice chairman of General Cinema Theatres, Inc.
Elephant Productions has appointed Carey Weich to the newly created position of director of development and business affairs. She will be responsible for the company's development slate and to develop ideas and projects from outside parties. Weich was finance director, acquisitions and production at Universal Pictures International where she worked on film and television titles such as THE LIFE OF DAVID GALE, BRIDGET JONES DIARY and MAISY. Previously she was CFO at Universal Pictures Visual Programming (formerly Polygram Visual Programming) and has also held positions at Time Warner and KPMG. Elephant Productions was founded in 1990 by actor and writer Nigel Planer and producer, director and childrens author Jamie Rix. The London-based company is producing WWW.FATHERCHRISTMAS.COM and a second series of ANIMAL SCHOOL, both for CBBC.
Fox Kids Europe has promoted Benoit Runel from exec director of programming and acquisitions to SVP of programming. Runel will be responsible for sourcing programming not only for the FKE channels, but also for international distribution (currently serviced by Buena Vista International) and for FKE's consumer products division. FKE believes this operational expansion will also help development its online and interactive business. Runel reports to Bruce Steinberg, FKE's CEO, who is overseeing the programming strategy of FKE in coordination with majority shareholder The Walt Disney Co.
European animation television vets Justin Hatfield and Cathy Laughton are teaming with Hungarian toon studio Varga to flex its international muscle. The two will handle presales across Europe, finance and distribution for Varga, as well as seek out co-production and partnering opportunities on new projects. Varga CEO, Andras Erkel, has set them upon securing int'l pre-sales for BJORN BEAR, a Varga, Happy Life (Sweden) and WDR (Germany) co-production.
Gaspard de Chavagnac joins Fox Kids France as managing director, replacing Ronan Lunven who left the position in November. Prior to FKF, de Chavagnac worked for eight years at Canal+ Group. He also was EVP for the finance and development at Canalsatellite and project manger for Canal+ International Affairs. He reports to Paul Taylor, group managing director for Channel Europe and EVP of Fox Kids Europe.
Just in time for MIP TV 2003, international producer-distributor TV-Loonland has brought on Jamie Lynn as sales executive in its distribution division. Based in the London office, Lynn will be responsible for TV-Loonland's extensive rights portfolio of children's programming throughout Asia, Southern Europe, the Middle East and Africa. Lynn headed SSA Public Relations' London office for three years where he spearheaded several successful publicity campaigns for a wide range of high profile clients from the international television and film business and generated new business. David Ferguson, COO at TV-Loonland said," Lynn has developed vital and strong relationships with many top executives within the film, television and licensing industry. His acquired knowledge of the international television distribution business is highly valued and I look forward to working with him." TV-Loonland (www.tv-loonland.com) is an integrated media company producing and distributing internationally animation for children, youth and families. With its own development teams and production facilities in Europe, Great Britain, Asia and the U.S.A., a comprehensive rights catalog as well as a focused distribution effort for Europe, North and South America and Asia; TV-Loonland has become a world leader among the independent majors in the industry.
Emmy-winning editor and visual effects artist Les Umberger is the newest member of the R!OT Santa Monica team. Formerly with Crawford Communications in Atlanta, Georgia, Umberger brings extensive experience in commercials, promos and long-form programming. Umberger came to R!OTs attention during the course of its ongoing, nationwide search to identify emerging post-production talent said R!OT managing director Richard Cormier. "We are always interested in identifying next generation artists, inspired talent who bring a fresh approach and are driven to do great work." While at Crawford Post, Umberger was a Monitor Award finalist last year for Best Visual Effects for a CNN promo titled OUR INTERACTIVE WORLD. He won the award for Best Editing at the 48 Hour Film Project in Atlanta for the short film WHITE BITCH DOWN. Previously, Umberger worked for NBC and earned an Emmy Award for his part as an editor on the networks coverage of the 2000 Olympics in Sydney. He also spent four years with Turner Productions specializing in promotional work for such clients as CNN, Cartoon Network, TBS Superstation, Turner Classic Movies and The Discovery Channel. R!OT Santa Monica, R!OT Manhattan and R!OT Atlanta are subsidiaries of Ascent Media Group, Inc. For more check out www.rioting.com.
Jerry Offsay will step down as president of programming for Showtime Networks at the end of the year. The search has begun for his successor at the cable net owned by Viacom. Offsay commented in a statement, "Last summer I announced to Matt [Matthew Bank, chairman/CEO of Showtime] that after my 50th birthday I intended to leave Showtime." He said they decided to make the announcement now, although his birthday is in December, to facilitate naming a successor and to make an orderly transition.