Wherein the Museum of Modern Art's Adrienne Mancia reminisces to Mark Langer about her past efforts in animation programming and her thoughts about the state of the craft today.
Annick Teninge talks with the current director of Annecy, the granddaddy of all animation festivals, about how and why it has changed over the years.
Annick Teninge talks with the current director of Annecy, the granddaddy of all animation festivals, about how and why it has changed over the years. [
A personal memoir by Linda Jones of how she and her father got started in producing and selling animation art.
Filmmaker, teacher and animation historian, John Canemaker has been called animation's ambassador at large. Mike Lyons explains why.
John Canemaker relates how Otto Messmer, the creator of Felix the Cat, got into directing animated films for a Times Square landmark.
Bob Swain interviews director Jim Cameron's reworking of Terminator 2 for Universal Studios theme park in Orlando, Terminator 2-3D .
Hans Fischerkoesen, Germany's leading producer of animated commercials, was ordered to make theatrical cartoons by the government in World War II, as William Moritz notes, he produced a trio of remarkable films which were not exactly Nazi propaganda.
Raimund Krumme, one of Germany's top independent animators who is now working on a feature version of a children's classic, talks about Hollywood and the challenges posed by his new project.
Michael Goldman talks to Nickelodeon International's Lisa Judson about how the cable network that redefined animation for the 90s is expanding around the world.
The GiggleBone Gang is alive and well at Seattle-based Headbone Interactive. Judith Shane explains it all.
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things.
In the early days of American television, anime gained a small foothold. Fred Ladd, who played a key role in this effort, recalls what happened.
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things. En franis (in French).
In celebration of Quirino Cristiani's centennial, we are republishing Giannalberto's classic profile of the Italian immigrant who made the world's first two animated features.
Once of America's most prominent independent animators, Robert Breer continues to explore historical perspectives and experiment with new techniques. Jackie Leger looks at his career, past and present.
In 1984, ASIFA-Hollywood and the Academy of Motion Picture Arts & Sciences put on a unique mini-animation festival as part of Los Angeles' Olympic Arts Festival. Harvey Deneroff profiles the woman behind the Olympiad of Animation, along with listings of films, including the landmark poll of the 50 greatest animated films of all time.
Picks from Olympiad animators Melinda Littlejohn, Raul Garcia, George Schwizgebel and Jonathan Amitay.
A look at the films of Britain's Sue Loughlin, and how she explores themes relating to sports, as well as social reform and women's rights.