Will Ryan asks the infamous voice actress and performer Mavis Paisley a question or two -- or nine and a half.
New York-based design and visual effects company Fluid has launched a sound design division and added sound designer Fred Szymanski to their team. Szymanski has created sound design and special sound effects for a variety of film and television projects and music videos. He will be creating sound design for commercials exclusively through Fluid. Szymanski and Fluid recently completed sound design and sound enhancement for a series of spots for 6 new Xbox games for McCann/NY client Microsoft.
Tom Hershey has been promoted to senior vice president of operations at Sony Pictures Imageworks, the visual effects and animation division of Sony Pictures Entertainment. Hershey's expanded role will now include leadership of console game development at Imageworks. Hershey recently forged a deal with the Institute of Creative Technologies (ICT), a joint venture between the Army branch of the U.S. Military and the University of Southern California (USC). Together with Pandemic Studios, Imageworks is collaborating with ICT to create simulation training programs via immersive technologies.
Cinesite Hollywood has appointed David Remba as manager of research and development, and Ray Mitchell, Jr. as director of engineering. They will report to Daniel Rosen, chief technology officer. Remba has been the managing technical director at Cinesite since the beginning of 2001. He worked with the character setup team on Megiddo and guided and assisted the development of the water animation and rendering pipeline for Cinesite Orange County. In his new role, Remba will be responsible for all software activities at Cinesite Hollywood.
Roger Dondis and Nelson Uduando have joined Toonz Animation India, as creative director and head of animation respectively. Roger Dondis joins Toonz Animation India from Wild Brain Studios where he worked as animation director and overseas supervisor on feature film productions. Roger has been director, animation director, designer and animator on many commercials and several long format projects. He begins with Toonz Animation India on January 1, 2002. Nelson P. Udaundo joins Toonz Animation India as head of the animation department.
New York-based Click 3x has hired engineer Mike Bittle and veteran visual effects and graphics producer Todd McCammon. Bittle becomes chief engineer and will oversee all technical issues for the visual effects, animation and design studio, as well as assisting in the planning and implementation of future imaging technologies. He comes from a similar position with Post Perfect, New York. While at Post Perfect, Bittle handled engineering for film transfer, color correction, editing, compositing, animation and graphics production, as well as for a shooting stage.
Charlex has added award-winning visual effects artist Alan Neidorf to its roster. Neidorf comes to Charlex after a sixteen-year run as senior visual effects artist and editor at Tape House and Black Logic, where he worked closely with director Michel Suissa, now of Parallax One. His credits include commercials for Coldwell Banker and Texas Instruments and work for Grey Advertising, McCann-Erickson Worldwide, MBVMS and other advertising agencies. "Charlex is well known for its unique, collaborative creative approach," Neidorf said.
Director Andrew Adamson, who partnered with Vicky Jenson to direct this years blockbuster animated film SHREK, has recently signed with the United Talent Agency and is hard at work on his next project for DreamWorks. Adamson will direct TRUCKERS, a feature film mixing live-action with animation and based on Terry Pratchetts young adult novel about alien creatures called nomes who live in a department store. Adamson will write the script with Joe Stillman, one of the authors of SHREK.
Brad Ball has been named to the newly created position of executive vice president, domestic corporate marketing, Warner Bros. Ball moves to this key strategic post after having served as president of domestic marketing of Warner Bros. Pictures for the past three and a half years. Ball's responsibilities include oversight of all the studio's brand marketing efforts across all divisions, including Warner Bros. Pictures, Warner Bros. Television, Warner Bros. Animation and Warner Bros. Consumer Products.
Award-winning visual effects designer and digital artist Deak Ferrand has left post-production facility R!OT to launch the independent studio Hatch with his long-time visual effects producing partner, Cheryl Bainum. Hatch designs and produces digital visual effects for films, television, commercials and interactive projects by using the latest techniques in digital matte painting, compositing and computer graphics. The studio specializes in concept design and designing and creating 3D matte paintings.
Corus Entertainment has confirmed that Nelvana founding partner and co-CEO Patrick Loubert has left Nelvana to become an independent producer. The news comes just over a month after another co-founder, executive VP Clive Smith, left Nelvana to pursue other projects. Michael Hirsh, last of the three original founding partners, remains at the company as CEO.
NY Visual Effects studio Liquid Light, a division of Version2 Editing, has added Smoke artist Nathan Hurlburt to their roster. Initially an Avid editor, Nathan now includes visual effects design, compositing and online finishing among his talents. "Nathan is considered a whiz kid Smoke artist that I knew would impress our advertising and editorial clients," said Liquid Light executive producer Frank Devlin.
Douglas Greiff has left his position as VP of program development at Nickelodeon to join Hip TV as partner and head of production. Specializing in Latin-themed programming, Hip TV has produced original programming in English, Spanish and Portuguese for USA Networks, E! Entertainment Television, The Discovery Channel and Fox Sports World, among others. Hip TV founder Beatriz Acevado said, Im delighted to have Doug as a partner in Hip TV.
Award-winning producer Dan Balaam has been promoted to creative director of Cartoon Network and Boomerang in the U.K. and is now in charge of all on air promotions and packaging for the channels. Having been with the channel since its launch, Dan has had a huge influence on the fun and irreverent look and style of the channel. While at Cartoon Network U.K.
The terrorist attacks in New York City and Washington, D.C. on September 11th touched people worldwide, and many cartoonists have turned to art to express their grief. 9-11: EMERGENCY RELIEF is a comic book project to benefit the American Red Cross featuring some of the comic world's leading talents from legendary creators such as Will Eisner to hot new talents such as artist Frank Cho, whos original artwork for the cover of the book recently sold at Baltimore Comic-Con's benefit auction for $5,000, with the money going to the American Red Cross.
Is it true that one of the all time greatest story sources of animation films and shorts can be labeled "lonely, sexually confused, vain, anxious and hypochondriacal?" Apparently yes! Will Ryan explains.
Visual effects and graphic designer Victor Barroso has been named director of the newly created graphics & visual effects division at PostWorks, New York. Victor has spent the last three years as the director of graphics and effects at Flicker fx, the New York-based visual effects/design shop he co-founded in 1998. Prior to that he was director of graphics and effects at Edefx, New York. Victor brings his training as a painter and illustrator to his work and is equally comfortable on Avid Media Illusion, Henry, Hal, Discreet Logics Flame/Inferno systems and Nothing Reals Shake.
Will Ryan asks illustrator, cartoonist, animator, director Milton Knight about his worldwide artistic influences.
MoCap systems manufacturer Motion Analysis Corporation has hired Jeff Thingvold as VP of application engineering and Napoleon Hambrick as VP of new media sales for North America, South America and Japan. Focusing on the new media animation sector of the motion-capture industry, Jeff Thingvold will coordinate the development of all software tools and incorporate customers' current and future needs into software technology designs. Prior to joining Motion Analysis Corporation, Jeff was the chief technology officer at Lambsoft.
Martin "Dr. Toon" Goodman invades the mind of Jhonen Vasquez, the creator of Invader Zim, to discuss Zim, Jhonen's ideas and inspirations, and the ups and downs of producing his first animated series.
Joan Kim interviews Nina Paley, Miche Cournoyer, Stephen X. Arthur, Kirsten Winter, Mikk Rand and Richard Reeves about their filmmaking techniques and learns that there is more than one way to make a picture move frame by frame.
As technology evolves, is independent animation being left behind? These and other concerns are currently being addressed by Pierre Hert.
Ed Leonard, head of technology at DreamWorks Animation, has been promoted to a position where he will oversee technology for all DreamWorks animation facilities. His responsibilities now encompass both traditional and computer-animated film productions at DreamWorks Glendale facility, as well as the PDI/DreamWorks location in Northern California. Leonard will also play a key role in setting up a new CG production pipeline in Glendale. Due to launch in the next year, the new production arm will be a state-of-the-art computer animation studio.
Santa Monica-based commercial and film production company Steam has added creative directors Rob Legato and Ron Ames and executive producer Marcy Frey to their roster. Academy Award-winning visual effects supervisor Rob Legato will be working with Steam as creative director. Rob continues to be represented by Sony Imageworks for feature film visual effects assignments. His credits as a visual effects supervisor include HARRY POTTER AND THE SORCERER'S STONE, CAST AWAY, WHAT LIES BENEATH and ARMAGEDDON.
The 4th Annual Writers Guild of America, west (WGAw) Animation Writing Award was presented to producer Alan Burnett at the WGAw annual meeting and reception on Wednesday, October 17, 2001. In the words of the board, the award is given to the caucus or guild member who has advanced the literature of animation in film and/or television through the years, and who has made outstanding contributions to the profession of the animation writer.