NY Visual Effects studio Liquid Light, a division of Version2 Editing, has added Smoke artist Nathan Hurlburt to their roster. Initially an Avid editor, Nathan now includes visual effects design, compositing and online finishing among his talents. "Nathan is considered a whiz kid Smoke artist that I knew would impress our advertising and editorial clients," said Liquid Light executive producer Frank Devlin.
Douglas Greiff has left his position as VP of program development at Nickelodeon to join Hip TV as partner and head of production. Specializing in Latin-themed programming, Hip TV has produced original programming in English, Spanish and Portuguese for USA Networks, E! Entertainment Television, The Discovery Channel and Fox Sports World, among others. Hip TV founder Beatriz Acevado said, Im delighted to have Doug as a partner in Hip TV.
Award-winning producer Dan Balaam has been promoted to creative director of Cartoon Network and Boomerang in the U.K. and is now in charge of all on air promotions and packaging for the channels. Having been with the channel since its launch, Dan has had a huge influence on the fun and irreverent look and style of the channel. While at Cartoon Network U.K.
The terrorist attacks in New York City and Washington, D.C. on September 11th touched people worldwide, and many cartoonists have turned to art to express their grief. 9-11: EMERGENCY RELIEF is a comic book project to benefit the American Red Cross featuring some of the comic world's leading talents from legendary creators such as Will Eisner to hot new talents such as artist Frank Cho, whos original artwork for the cover of the book recently sold at Baltimore Comic-Con's benefit auction for $5,000, with the money going to the American Red Cross.
Is it true that one of the all time greatest story sources of animation films and shorts can be labeled "lonely, sexually confused, vain, anxious and hypochondriacal?" Apparently yes! Will Ryan explains.
Visual effects and graphic designer Victor Barroso has been named director of the newly created graphics & visual effects division at PostWorks, New York. Victor has spent the last three years as the director of graphics and effects at Flicker fx, the New York-based visual effects/design shop he co-founded in 1998. Prior to that he was director of graphics and effects at Edefx, New York. Victor brings his training as a painter and illustrator to his work and is equally comfortable on Avid Media Illusion, Henry, Hal, Discreet Logics Flame/Inferno systems and Nothing Reals Shake.
Will Ryan asks illustrator, cartoonist, animator, director Milton Knight about his worldwide artistic influences.
MoCap systems manufacturer Motion Analysis Corporation has hired Jeff Thingvold as VP of application engineering and Napoleon Hambrick as VP of new media sales for North America, South America and Japan. Focusing on the new media animation sector of the motion-capture industry, Jeff Thingvold will coordinate the development of all software tools and incorporate customers' current and future needs into software technology designs. Prior to joining Motion Analysis Corporation, Jeff was the chief technology officer at Lambsoft.
Martin "Dr. Toon" Goodman invades the mind of Jhonen Vasquez, the creator of Invader Zim, to discuss Zim, Jhonen's ideas and inspirations, and the ups and downs of producing his first animated series.
Joan Kim interviews Nina Paley, Miche Cournoyer, Stephen X. Arthur, Kirsten Winter, Mikk Rand and Richard Reeves about their filmmaking techniques and learns that there is more than one way to make a picture move frame by frame.
As technology evolves, is independent animation being left behind? These and other concerns are currently being addressed by Pierre Hert.
Ed Leonard, head of technology at DreamWorks Animation, has been promoted to a position where he will oversee technology for all DreamWorks animation facilities. His responsibilities now encompass both traditional and computer-animated film productions at DreamWorks Glendale facility, as well as the PDI/DreamWorks location in Northern California. Leonard will also play a key role in setting up a new CG production pipeline in Glendale. Due to launch in the next year, the new production arm will be a state-of-the-art computer animation studio.
Santa Monica-based commercial and film production company Steam has added creative directors Rob Legato and Ron Ames and executive producer Marcy Frey to their roster. Academy Award-winning visual effects supervisor Rob Legato will be working with Steam as creative director. Rob continues to be represented by Sony Imageworks for feature film visual effects assignments. His credits as a visual effects supervisor include HARRY POTTER AND THE SORCERER'S STONE, CAST AWAY, WHAT LIES BENEATH and ARMAGEDDON.
Todd Waterman has been named director of animation for ImagineAsia, Inc., one of the principle companies of Global Animation Holdings. He will be based out of the companys facilities in Manila, Philippines. Waterman has an extensive background as an animator, storyboard artist, character designer and animation director. He began his career working on the animated features AN AMERICAN TAIL, ALL DOGS GO TO HEAVEN and ROCK-A-DOODLE among others. He then worked for Steven Spielberg at his London-based studio, Amblimation, on the animated dinosaur feature WERE BACK.
The 4th Annual Writers Guild of America, west (WGAw) Animation Writing Award was presented to producer Alan Burnett at the WGAw annual meeting and reception on Wednesday, October 17, 2001. In the words of the board, the award is given to the caucus or guild member who has advanced the literature of animation in film and/or television through the years, and who has made outstanding contributions to the profession of the animation writer.
Will Ryan asks Mike Kazaleh slightly fewer than ten questions regarding getting started in Detroit, comic books and the benefits of working for hire...
With three major animation series currently in production and one more scheduled to start production next month, the U.K.-based animation house Telemagination has expanded its digital ink and paint studio. John McManus joins the company as senior compositor and Alistair Beckett and Neil Harris have been contracted as compositors, all to begin working immediately on the in-house production, PONGWIFFY.
So! Animation, a creative, cross-platform design shop, has joined forces with John Lovelace, So!'s new partner and executive producer/director of new business development. Former executive producer and director of new business development for the New York division of Click 3X, Lovelace brings the skills and knowledge gained at Click 3x to So! and will lead the company in their commitment to target commercial spots as well as long-form. Coinciding with the addition of Lovelace, So!
The Board of Directors of Teletoon has appointed veteran broadcasting executive Len Cochrane as president of the Teletoon television network, which operates 24-hour English and French animation services across Canada. Cochrane replaces John Riley, recently named president of Astral Television Networks. Cochrane served as president of The Family Channel Inc. for the past 11 years, and led that network's growth as a premium service with over 309,000 subscribers to one of the most successful television channels with over 4.3 million subscribers.
Canadian computer animation studio Mainframe Entertainment, Inc has appointed Mark Fleischer president of its Los Angeles-based subsidiary, Mainframe, U.S.A. In this newly-created position, Fleischer will spearhead the expansion of the companys presence in Los Angeles, with the goal of positioning Mainframe to more effectively pursue opportunities within Los Angeles and the U.S. Fleischer first began working with Mainframe while he was president of Fleischer Studios, Inc. in Los Angeles.
Family media company Big Idea Productions, creators of the successful VeggieTales home video franchise, has expanded its animation production division with the addition of Dan Philips as vice president of production and Ameake Owens as producer. In his new position as vice president of production, Philips will oversee all aspects of production for Big Idea and develop strategies to strengthen the studio's various production-related departments. Prior to joining Big Idea Productions, Philips worked with DreamWorks SKG as the digital supervisor for THE ROAD TO EL DORADO.
Margaret Loesch, founding president and CEO of Crown Media U.S., will be departing the company next month at the conclusion of her contract. On leaving her post at Crown, Loesch said I'm very proud of the many accomplishments made by the team that I've helped build. But, while the experience has been exciting, it has also been all-consuming personally and professionally. As I near the end of my contract, it seems like an ideal time to take a much-needed break and put some focus on my family, and then begin to pursue my other career goals.'' She will be replaced by Lana E.
According to a VARIETY report, Clive Smith, veteran animator and Nelvana senior executive VP, has resigned from the Toronto-based animation company to pursue other projects. Smith started Nelvana in 1971 with Michael Hirsh and Patrick Loubert, who will remain at the company as co-CEOs. Smith was the creative force behind such shows as BABAR, RUPERT and CARE BEARS and most recently was involved in the development of HEIDI, a feature adaptation of the classic childrens story.
Class-Key Chew-Po Commercials, a division of Klasky Csupo, Inc., has signed animation director Chris Prynoski for commercial representation. Prynoski recently finished directing a Budweiser spot for Class-Key Chew-Po Commercials and DDB Chicago called, Foot-Long Hot Dog Inventor. Prynoski has previously worked for MTVs animation division as a storyboard artist, designer, layout artist, animator and director. During his stint at MTV, he worked on shows including BEAVIS AND BUTTHEAD, THE HEAD and DARIA.
Jerry Pooler has been appointed creative director and Brad Reinke manager of the Cinesite Hollywood Digital Restoration division. "Jerry Pooler and Brad Reinke are a great team," says Ruth Scovill, president and COO of Cinesite Hollywood. "They are leading an ambitious effort to leverage the most advanced digital technology to help our customers faithfully restore priceless films in their libraries to their original condition." Pooler has been a visual effects and restoration supervisor at Cinesite since 1992.