Charlex has added award-winning visual effects artist Alan Neidorf to its roster. Neidorf comes to Charlex after a sixteen-year run as senior visual effects artist and editor at Tape House and Black Logic, where he worked closely with director Michel Suissa, now of Parallax One. His credits include commercials for Coldwell Banker and Texas Instruments and work for Grey Advertising, McCann-Erickson Worldwide, MBVMS and other advertising agencies. "Charlex is well known for its unique, collaborative creative approach," Neidorf said.
Director Andrew Adamson, who partnered with Vicky Jenson to direct this years blockbuster animated film SHREK, has recently signed with the United Talent Agency and is hard at work on his next project for DreamWorks. Adamson will direct TRUCKERS, a feature film mixing live-action with animation and based on Terry Pratchetts young adult novel about alien creatures called nomes who live in a department store. Adamson will write the script with Joe Stillman, one of the authors of SHREK.
Brad Ball has been named to the newly created position of executive vice president, domestic corporate marketing, Warner Bros. Ball moves to this key strategic post after having served as president of domestic marketing of Warner Bros. Pictures for the past three and a half years. Ball's responsibilities include oversight of all the studio's brand marketing efforts across all divisions, including Warner Bros. Pictures, Warner Bros. Television, Warner Bros. Animation and Warner Bros. Consumer Products.
Award-winning visual effects designer and digital artist Deak Ferrand has left post-production facility R!OT to launch the independent studio Hatch with his long-time visual effects producing partner, Cheryl Bainum. Hatch designs and produces digital visual effects for films, television, commercials and interactive projects by using the latest techniques in digital matte painting, compositing and computer graphics. The studio specializes in concept design and designing and creating 3D matte paintings.
Corus Entertainment has confirmed that Nelvana founding partner and co-CEO Patrick Loubert has left Nelvana to become an independent producer. The news comes just over a month after another co-founder, executive VP Clive Smith, left Nelvana to pursue other projects. Michael Hirsh, last of the three original founding partners, remains at the company as CEO.
NY Visual Effects studio Liquid Light, a division of Version2 Editing, has added Smoke artist Nathan Hurlburt to their roster. Initially an Avid editor, Nathan now includes visual effects design, compositing and online finishing among his talents. "Nathan is considered a whiz kid Smoke artist that I knew would impress our advertising and editorial clients," said Liquid Light executive producer Frank Devlin.
Douglas Greiff has left his position as VP of program development at Nickelodeon to join Hip TV as partner and head of production. Specializing in Latin-themed programming, Hip TV has produced original programming in English, Spanish and Portuguese for USA Networks, E! Entertainment Television, The Discovery Channel and Fox Sports World, among others. Hip TV founder Beatriz Acevado said, Im delighted to have Doug as a partner in Hip TV.
Award-winning producer Dan Balaam has been promoted to creative director of Cartoon Network and Boomerang in the U.K. and is now in charge of all on air promotions and packaging for the channels. Having been with the channel since its launch, Dan has had a huge influence on the fun and irreverent look and style of the channel. While at Cartoon Network U.K.
The terrorist attacks in New York City and Washington, D.C. on September 11th touched people worldwide, and many cartoonists have turned to art to express their grief. 9-11: EMERGENCY RELIEF is a comic book project to benefit the American Red Cross featuring some of the comic world's leading talents from legendary creators such as Will Eisner to hot new talents such as artist Frank Cho, whos original artwork for the cover of the book recently sold at Baltimore Comic-Con's benefit auction for $5,000, with the money going to the American Red Cross.
Is it true that one of the all time greatest story sources of animation films and shorts can be labeled "lonely, sexually confused, vain, anxious and hypochondriacal?" Apparently yes! Will Ryan explains.
Visual effects and graphic designer Victor Barroso has been named director of the newly created graphics & visual effects division at PostWorks, New York. Victor has spent the last three years as the director of graphics and effects at Flicker fx, the New York-based visual effects/design shop he co-founded in 1998. Prior to that he was director of graphics and effects at Edefx, New York. Victor brings his training as a painter and illustrator to his work and is equally comfortable on Avid Media Illusion, Henry, Hal, Discreet Logics Flame/Inferno systems and Nothing Reals Shake.
Will Ryan asks illustrator, cartoonist, animator, director Milton Knight about his worldwide artistic influences.
MoCap systems manufacturer Motion Analysis Corporation has hired Jeff Thingvold as VP of application engineering and Napoleon Hambrick as VP of new media sales for North America, South America and Japan. Focusing on the new media animation sector of the motion-capture industry, Jeff Thingvold will coordinate the development of all software tools and incorporate customers' current and future needs into software technology designs. Prior to joining Motion Analysis Corporation, Jeff was the chief technology officer at Lambsoft.
Martin "Dr. Toon" Goodman invades the mind of Jhonen Vasquez, the creator of Invader Zim, to discuss Zim, Jhonen's ideas and inspirations, and the ups and downs of producing his first animated series.
Joan Kim interviews Nina Paley, Miche Cournoyer, Stephen X. Arthur, Kirsten Winter, Mikk Rand and Richard Reeves about their filmmaking techniques and learns that there is more than one way to make a picture move frame by frame.
As technology evolves, is independent animation being left behind? These and other concerns are currently being addressed by Pierre Hert.
Ed Leonard, head of technology at DreamWorks Animation, has been promoted to a position where he will oversee technology for all DreamWorks animation facilities. His responsibilities now encompass both traditional and computer-animated film productions at DreamWorks Glendale facility, as well as the PDI/DreamWorks location in Northern California. Leonard will also play a key role in setting up a new CG production pipeline in Glendale. Due to launch in the next year, the new production arm will be a state-of-the-art computer animation studio.
Santa Monica-based commercial and film production company Steam has added creative directors Rob Legato and Ron Ames and executive producer Marcy Frey to their roster. Academy Award-winning visual effects supervisor Rob Legato will be working with Steam as creative director. Rob continues to be represented by Sony Imageworks for feature film visual effects assignments. His credits as a visual effects supervisor include HARRY POTTER AND THE SORCERER'S STONE, CAST AWAY, WHAT LIES BENEATH and ARMAGEDDON.
Todd Waterman has been named director of animation for ImagineAsia, Inc., one of the principle companies of Global Animation Holdings. He will be based out of the companys facilities in Manila, Philippines. Waterman has an extensive background as an animator, storyboard artist, character designer and animation director. He began his career working on the animated features AN AMERICAN TAIL, ALL DOGS GO TO HEAVEN and ROCK-A-DOODLE among others. He then worked for Steven Spielberg at his London-based studio, Amblimation, on the animated dinosaur feature WERE BACK.
The 4th Annual Writers Guild of America, west (WGAw) Animation Writing Award was presented to producer Alan Burnett at the WGAw annual meeting and reception on Wednesday, October 17, 2001. In the words of the board, the award is given to the caucus or guild member who has advanced the literature of animation in film and/or television through the years, and who has made outstanding contributions to the profession of the animation writer.
Will Ryan asks Mike Kazaleh slightly fewer than ten questions regarding getting started in Detroit, comic books and the benefits of working for hire...
With three major animation series currently in production and one more scheduled to start production next month, the U.K.-based animation house Telemagination has expanded its digital ink and paint studio. John McManus joins the company as senior compositor and Alistair Beckett and Neil Harris have been contracted as compositors, all to begin working immediately on the in-house production, PONGWIFFY.
So! Animation, a creative, cross-platform design shop, has joined forces with John Lovelace, So!'s new partner and executive producer/director of new business development. Former executive producer and director of new business development for the New York division of Click 3X, Lovelace brings the skills and knowledge gained at Click 3x to So! and will lead the company in their commitment to target commercial spots as well as long-form. Coinciding with the addition of Lovelace, So!
The Board of Directors of Teletoon has appointed veteran broadcasting executive Len Cochrane as president of the Teletoon television network, which operates 24-hour English and French animation services across Canada. Cochrane replaces John Riley, recently named president of Astral Television Networks. Cochrane served as president of The Family Channel Inc. for the past 11 years, and led that network's growth as a premium service with over 309,000 subscribers to one of the most successful television channels with over 4.3 million subscribers.
Canadian computer animation studio Mainframe Entertainment, Inc has appointed Mark Fleischer president of its Los Angeles-based subsidiary, Mainframe, U.S.A. In this newly-created position, Fleischer will spearhead the expansion of the companys presence in Los Angeles, with the goal of positioning Mainframe to more effectively pursue opportunities within Los Angeles and the U.S. Fleischer first began working with Mainframe while he was president of Fleischer Studios, Inc. in Los Angeles.