GTN Travelling Pictures has added visual effects artist Michael Orlando to its staff. In his former position as CGI artist at ILM, Orlandos credits include an array of visual effects for feature films including STAR WARS: EPISODE II "ATTACK OF THE CLONES," THE TIME MACHINE, MEN IN BLACK II and MINORITY REPORT. Orlando has also worked in the effects divisions of Paramount Pictures, Disney, Sony ImageWorks and Cinesite. In addition to his 3D skills, Michael also has experience in the design and construction of model miniatures, mechanical action props, photography and oil painting.
Yes, it is possible to spend only $300 and make a great CGI film! Alien Song proved that. Here four animators talk about how Hash Animation:Master has unleashed their potential.
Recently launched independent animation studio Qurios Entertainment has added award-winning animator and artist David Stoten to its roster. Stoten's diverse career began as a caricaturist and sculptor for SPITTING IMAGE, the satirical British TV show. This led to collaboration with fellow artist Tim Watts; together they directed and animated THE BIG STORY, a short film that won a BAFTA Award and was nominated for an Oscar.
John S. Wadsworth, Jr., honorary chairman of Morgan Stanley Asia Limited, has joined Pixar's Board of Directors, bringing the number of directors to seven. Wadsworth, who is an advisory director for Morgan Stanley globally, has spent nearly two decades overseeing the firm's policy and business strategies throughout Asia and Australia, including serving on the Investment Banking Operating Committee, Chairman of the Firm Investment Account Committee, and Chairman of Morgan Stanley Ventures.
U.S. manga publisher TOKYOPOP is expanding its presence in broadcast and film and has hired Steve Galloway to fill the newly created position of executive director of development. In this position, Galloway will help develop and sell TOKYOPOP's intellectual properties into domestic film and TV media in order to generate additional revenue streams, build brand recognition and position the company as an effective partner for broadcast projects.
Corus Entertainment Inc. held its annual General Meeting on December 11, 2002 and outlined its action plan to position Nelvana as a key component of the company's overall business strategy, which includes a focus on vertical integration and content ownership. In addition, the company announced the appointment of Doug Murphy to executive vice president, business development for Nelvana.
Steve Oedekerk fresh off his experience of making his first IMAX film in 3D like the type of 3D where you need glasses! explains his love of these mediums and the new challenges he found.
Universal Pictures has promoted Andrew Fenady to vice president, production. Fenady has been with Universal since 2000, when he came on board as director of production. In his new position he will continue to work with filmmakers on all aspects of physical production, including budgeting, scheduling, hiring crews and managing the daily workings within the production. Fenady is currently overseeing physical production on the films DR. SEUSS' THE CAT IN THE HAT, THE FAST AND THE FURIOUS 2 and HONEY.
Digital visual effects studio Radium has announced the addition of Inferno artist Ali Laventhol to its Los Angeles office. Laventhol comes to Radium with 10 years of experience in the broadcast television, post-production and visual effects industries. Beginning her career in the broadcast news arena, Laventhol developed her eye for composition and color in the live production of news, weather and sports graphics at a local TV station in the Bay Area.
Sidney Clifton has been promoted to senior vice president and head of development and programming at independent animation company Film Roman, Inc. Clifton has already placed five projects into fast track development, while she oversees script development on the animated series TRIPPING THE RIFT, currently in production with CinéGroupe and the Sci-Fi Channel.
Digital artist/designer Nico Puertollano has been added to the staff of New York-based Rhinoceros Visual Effects and Design. Prior to joining the staff, Puertollano had worked for Rhinoceros and a number of other companies as an independent artist and designer. As a freelance artist with Rhinoceros, Puertollano worked on a variety of projects including the short animated film FROM THE 104TH FLOOR, commercials for Phoenix Mutual, Arbys and Bengay, as well as projects for Sony, USA Networks, Samsung Digital and others.
Disney chairman Michael Eisner outlined his strategy to revitalize his company in the December 9 issue of FORBES Magazine. Among other juicy tidbits, Eisner reveals that he has written a letter to the Disney board recommending a successor and implies that his choice is current president and COO Bob Iger. Eisner also details his revitalization plan for Disney, which may include selling The Mighty Ducks hockey team, 64 company-owned radio stations and other ancillary businesses with an aim to substantially reduce Disney's $13 billion debt over the next 18 months.
Animation and live-action production company Super 78 has hired former Creative Capers art director Robert Rose as CG supervisor. After working as a freelance art director for a number of years, Rose joined Creative Capers Entertainment where he enjoyed a successful six-year tenure as art director/technical director. While at Creative Capers, Rose led the CGI design team and was instrumental in pre-visualization development for Universal Studios SITTING DUCKS, and also worked on the feature films 101 DALMATIANS, MR. MAGOO, THE TIGGER MOVIE and BOUNCE.
Sony Pictures Imageworks is enhancing its visual effects department with the hire of three new visual effects supervisors: Mark Stetson, Kevin Mack and Richard Hoover. Mark Stetson began his career on STAR TREK: THE MOTION PICTURE, and has worked on such films as BLADE RUNNER, THE RIGHT STUFF, GHOSTBUSTERS and DIE HARD. He won an Oscar and a BAFTA Award in 2002 for visual effects on THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Kevin Mack won the Academy Award in 1999 for Best Visual Effects with WHAT DREAMS MAY COME and has supervised effects on DR.
Panique au Village "The Cake" caused a riot of laughter at Annecy 2001 where it won for best TV program. Now this certifiably crazy show is coming to television. Philippe Moins reports on the insanity.
Former vice president of Greenlight International B.V., Lynn Chadwick has been appointed Nelvanas director of sales for Northern Europe. Based in the companys London office, she will drive sales and development with key customers in the United Kingdom, Ireland and the Netherlands. Prior to her position at Greenlight, Chadwick served as vice president, international at Salter Street Films International. She oversaw the establishment and significant growth of their international division, establishing Salter Street as a leading Canadian producer and supplier of television content.
Santa Monica-based visual effects studio R!OT has promoted Ken Nakada to the post of director of visual effects. In his new role, Nakada will oversee all of the studios activities related to the production of visual effects for feature films, episodic television, commercials and music videos. His role will include managing the department, providing creative oversight for current projects and planning for long term growth. Nakada will also continue to perform his previous duties as a matte painter and compositor.
Executive producer Michele Jeffers has joined digital visual effects studio Radium as head of the companys episodic and features division. She will be based in Radium's Santa Monica office. Jeffers has served as visual effects production manager at top effects houses and studios including Dream Quest Images, Sony Development, Banned from the Ranch, 20th Century Fox and Paramount Pictures.
Veteran animation and visual effects producer Andrea Mansour has joined independent animation studio Wild Brain, Inc. as head of commercials. Mansour will be responsible for all sales and management of Wild Brain's commercial division, developing new business opportunities, recruiting creative and production talent and overseeing commercial marketing efforts for the company. Prior to joining Wild Brain, Mansour was a creative program director with Sapient, a design and consulting firm in San Francisco.
In the wake of last week's announcement of the departure of Michael Hirsh, CEO of Nelvana, Corus Entertainment Inc. announced that it will combine the operations of Nelvana and its television division into one integrated business unit under the leadership of Paul Robertson. "As president of Corus Television, Paul has consistently delivered outstanding financial results and programming schedules, always with customer service as a top priority," said John Cassaday, president and CEO of Corus Entertainment.
Toronto-based visual effects house GVFX has named Ron OBrien president and chief executive officer. OBrien will be responsible for overseeing all of GVFXs daily global business activities including the offices in Los Angeles and Vancouver. Working closely with John Gajdecki, founder and effects supervisor of GVFX, OBrien will oversee GVFXs business and corporate strategy, and manage all business development, marketing and operational interests.
The Internet rumors have been flying for weeks and now a recent LA TIMES report has stated that Tom Schumacher, president of Disney Feature Animation, may leave his post when his contract expires in June 2003. No word on what Schumacher will do if he departs, but he is reportedly in discussions with Disney to figure out what his role will be with the company. Schumacher has headed Disney Feature Animation since 1999, throughout a turbulent time for the division.
Philip H. Knight, co-founder of Nike, Inc., has become the majority shareholder of Portland, Oregon-based Vinton Studios after making a financial investment in the company. The amount of the investment was undisclosed. In addition, Knight will join Vintons board of directors. "Phil Knights investment and board involvement is a tremendous boost to our strategic plan to take Vinton Studios to the highest competitive level in both entertainment and commercial production," said Vinton CEO and president Jeff Farnath.
London-based 4Kids Entertainment International has completed an expansion of its operations that encompasses the promotion of key management and the appointments of new executives. Promoted to the position of commercial director is Helen Howells, who will focus on the company's sub-agent relationships as well as oversee its marketing and creative areas. Howells assumes her new position with 4Kids Entertainment International after serving as director of international licensing. She joined the company in 2000.