Tickle your senses and amaze your eyes with Animation Breakdown’s ‘Technicolor Toons,’ a one-night-only screening of 35mm Technicolor cartoons from the ‘30s, ‘40s and ‘50s presented by animation historian Jerry Beck.
Three years into the project that many had been anticipating based solely upon his involvement, director Edgar Wright exist Marvel’s ‘Ant-Man.’
As production begins in Michigan, Warner Bros. unveils the title of its previously untitled Batman-Superman feature: Batman v. Superman: Dawn of Justice.
CalArts pays tribute to alumnus John Lasseter with an honorary doctorate for his outstanding achievements in animated feature filmmaking.
Award-winning production company Tool announces the addition of Robert Helphand to its commercial team as Executive Producer of Live Action.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
Race into summer with the Disney Movies Anywhere premiere of Radiator Springs 500 1/2,’ an exciting first installment in the "Tales from Radiator Springs" series.
Paris’ NAKED Compagnie and New York’s ROOF Studio team up in the Cloud to produce a prolific series of eight second CG bumpers.
In conjunction with the Society of Illustrator’s "Icons of Animation" exhibit, Bill Plympton, Peter de Seve and William Joyce participate in a panel discussion, “The Art of Illustration,” on June 4, 2014.
‘Dumb Ways to Die’ director Julian Frost takes a look at the language of love in his new project for KY Jelly produced by Passion New York.
Visual effects supervisor Everett Burrell joins shade VFX; company recently completed projects for Jon Favreau’s ‘Chef,’ Sony’s ‘The Amazing Spider-Man 2,’ and Disney’s ‘Million Dollar Arm.’
Curating innovative campaigns and producing award-winning content, executive producer Marisa Fiechter joins Psyop.
Led by MPC VFX supervisor Guillaume Rocheron and VFX producer Philip Greenlow, the UK-based Moving Picture Company serves as the lead VFX studio bringing the iconic title creature to life in Warner Bros Pictures’ and Legendary Pictures’ ‘Godzilla.’
Inspired by Apple’s patent filing for a holographic display, animator Mike Ko comes up with a neat concept that imagines what it might look like.
Fifteen students are selected as winners in the Academy of Motion Picture Arts and Sciences’ 41st Student Academy Awards competition.
An AWN tribute celebrating retired NFB producer Marcy Page’s lasting impact on a generation of artists, family and friends.
MTV bolsters its slate of digital content with the re-launch of the ‘Liquid Television’ animation franchise, executive produced by Chris Prynoski.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
The Creators Project debuts the animated music video for "Last Night, Good Night (Re:Dialed)," the theme song for Takashi Murakami's debut film, ‘Jellyfish Eyes,’ remixed by Pharrell Williams.
The creative lead talent on the company’s newest round of work for Samsung and Cheil Worldwide and the Galaxy S5 phone, Sean Starkweather is named creative director at Stardust.
Swiss surrealist artist H.R. Giger, who designed the monster and revolutionary sci-fi sets for the film Alien, dies following injuries sustained from a fall.
Beakus director Gergely Wootsch adds just the right amount of sinister style to the first of three animated virals promoting the new drama series ‘Penny Dreadful’ on SKY in the UK.