More than 39 million American adults would go to the movies more often if Hollywood offered more feature-length films in 3-D, according to a new survey by Opinion Dynamics Corp. (ODC).
Results from a nationwide survey of 900 adults show that 12% of Americans roughly 26 million adults would go to the movies more often to see 3-D movies. Another 6% 13 million adults would go more often depending on the types of films offered in 3-D.
This week in the Theatrical Release Database, we have some new trailers for some big upcoming films.
Test your skills and challenge your brain with AWN's Animation Trivia Quiz.
This week in AWN's Forums, a member is looking for recommendations for good human anatomy books.
On Dec. 16, 2005, five of the School of Visual Arts most successful animation graduates recounted their route from mere studenthood to living legend. John R. Dilworth, Yvette Kaplan, Alex Kuperschmidt, Chris Prynoski and Tom Sito gathered behind a conference table in the schools auditorium in New York City to compare notes and reassure their audience of current SVA students that yes, it is possible to make a living drawing cartoons. Their panel was held to celebrate a retrospective of their work that will run in the schools gallery through Jan. 21.
THE POLAR EXPRESS: AN IMAX 3-D EXPERIENCE, now in its second holiday season, has reached another box office milestone, surpassing $50 million at the box office since it premiered last November. The digitally re-mastered holiday classic was re-released Nov. 23 in IMAX theaters, simultaneous with its DVD launch, and has continuously been among the top 20-grossing films in North America. In its third weekend, from Dec. 9-11, the film registered an impressive 12th-place ranking on the charts, grossing $931,603 on just 66 screens.
On Dec. 14, 2005, Pixars first full-scale retrospective opened at New Yorks Museum of Modern Art (MOMA). A year in the making, this major look behind the scenes brings scores of the studios concept and storyboard art, maquettes and sculptures out into the light of day.
A press preview the day before was attended by Pixar co-founders John Lasseter and Dr. Ed Catmull, along with a bevy of their star animators, directors and designers.
THE SIMPSONS sweep the animation writing category for nominations from the Writers Guild of America, East & West, which jointly announced nominations for outstanding achievement in television writing during the 2005 season.
Saucer Attack! (SA!), a new design and visual effects company, recently landed in New York City, captained by award-winning owner/creative director, Steve Marino.
Designer/illustrator Charles O. McElmurry passed away Dec. 5, 2005, at the age of 84 in Santa Rosa, California. McElmurry grew up in Los Angeles and attended Chouinard Art Institute. He began his career in the animation industry at Walt Disney in 1942, but was soon drafted into the Marine Corps and sent to Quantico, Virginia. He spent the war years in a film unit there. He attended Chouinard Art Institute on the GI bill.
He later worked for many independent studios in New York, France, and California including Quartet Films, Jay Ward, Cartoon Farm and Bill Melendez.
Universal Pictures has acquired Don Winston's supernatural spec script, OUR FAMILY TROUBLES, and will develop the drama under a new name as a starring vehicle for Reese Witherspoon, Variety reported.
Witherspoon and her Type A Films partner Jennifer Simpson are set to produce it. Universal svp Holly Bario will oversee the film.
The Academy of Motion Picture Arts and Sciences announced that 42 original songs from eligible feature-length motion pictures are being considered for the 78th Academy Awards.
The original songs from animated or visual effects related films include:* "Can't Take It In" from THE CHRONICLES OF NARNIA: THE LION, THE WITCH, AND THE WARDROBE* "Do the Hippogriff" from HARRY POTTER AND THE GOBLET OF FIRE* "Great Big World" from HOOKWINKED* "If I Apologize" from MIRRORMASK* "It Ain't Over Yet from RACING STRIPES
VIZ Media Llc. has announced a collection of fourth quarter anime releases that will make unique gift selections for the 2005 holiday season. These DVDs include exclusive box sets, the latest episodic volumes for ongoing series, as well as single DVD volumes for newly launched properties.
Kids WB! kicks-off the holiday season with a Holiday Sock Party filled with wild and wacky wishes, a new Saturday morning schedule and a holiday-themed lineup.
Following its agreement with Canadas Amberwood Ent. for the U.S. broadcast, video and merchandising rights to the animated series, THE SECRET WORLD OF BENJAMIN BEAR, PorchLight Ent. has launched its branding campaign for the preschool hero by signing a home entertainment deal with Genius Products Inc. The inaugural deal grants Genius exclusive DVD and video distribution rights in the U.S. for nine half-hour episodes. The series is already an international hit throughout Canada, Europe, Asia and the Middle East.
STAR WARS: CLONE WARS, VOL. 2, released earlier this month on DVD (Fox Home Ent., $19.98), picks up with the third season from Cartoon Network and bridges the gap between EPISODES II and III.
The Jedi are smarting from the battle with General Grievous. The Jedi Council reluctantly makes Anakin a Jedi Knight and he continues being drawn to the Dark Side of the Force. We learn many things about Grievous (how he gets his cough and obtains his collection of lightsabers) and other plot points that help set up and explain REVENGE OF THE SITH.
Avid Technology Inc. announced that editing teams from Big Primate Pictures, the production company behind KING KONG, and Weta Digital, the movie's digital effects house, employed an end-to-end Avid post-production workflow to bring to life Peter Jackson's vision of the 1933 movie classic.
The Academy of Motion Picture Arts and Sciences announced the seven films being considered for Achievement in Visual Effects for the 78th Academy Awards.
The films in consideration are listed below in alphabetical order:
* BATMAN BEGINS (Double Negative, MPC, Rising Sun, Buf, Jim Hensons Creature Shop, The Senate and Cutting Edge)* CHARLIE AND THE CHOCOLATE FACTORY (MPC, Framestore CFC, Digital Domain, Cinesite and Asylum)* THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE (Rhythm & Hues, Sony Pictures Imageworks and ILM)
Due to an overabundance of high-profile films, Sony has opted to move the screen adaptation of GHOST RIDER to President's Day weekend, Feb. 16, 2007, reports VARIETY. The $120-million Nicolas Cage vehicle was set to open July 14, 2006.
Set to air Thursday, Dec. 15, 2005, at 11:35 pm, THE TONIGHT SHOW WITH JAY LENO will premiere 2-0-5, the latest animated spoof from JibJab.
"From Katrina, FEMA, bird flu, insurgents, Cindy Sheehan and Scooter Libby to Tom Delay... there were so many issues facing the President, we had to make the song lightening fast to squeeze them all in," said Gregg and Evan Spiridellis, co-founders of JibJab. "People will want to watch it again and again to catch all the references."
Blue Planet Studio Inc., a 3D animation and digital media design firm in San Diego recently launched its newly developed website featuring its most recent projects, which include 3D animation and graphics support for a wide variety of high-tech companies, both locally and nationally.
Jeff Zucker has been named ceo and Randy Falco has been named president/coo of a newly integrated NBC Universal Television Group. Beth Comstock has been appointed to the newly created position of president, NBCU Digital Media and Market Development.
Massive Software continued pioneering use of the company's AI-driven 3D animation system by Weta Digital for more than 600 visual effects shots on KING KONG. The Massive work on the film, which follows Weta's industry-leading innovation with Massive on such movies as THE LORD OF THE RINGS trilogy and I, ROBOT, creates a living, breathing backdrop of activity on Manhattan and Skull Island.
Peter Jacksons KING KONG captured $9.75M yesterday in its opening box office bow, ranking 21st on the all-time list of Wednesday openers. Falling well below industry expectations, the Universal Pictures release had a per-screen average of $2,735 on 3,567 screens. Overseas, however, KONG opened much stronger, pulling in $8M on 4,659 screens in 36 markets. Biggest openings were in Australia ($860,000), Germany ($664,000) and Jacksons New Zealand home ($297,000). Box office information obtained from boxofficemojo.com and VARIETY.
The Gnomon Workshop and Design Studio Press have released five new training DVDs, three from veteran Scott Robertson, and the first two from the concept designer known as Puddnhead.
Robertson offers a three-volume series on rendering matte surfaces. The titles cover shading planar, round and complex curved surfaces. While he uses analog tools, such as charcoal and pencil, the skills are vital for anyone interested in foundation lighting concepts.
