Black Logic has completed its second spot for Lexmark Printers. The first Lexmark spot was directed by famed fashion photographer Herb Ritts and created by BlackLogic, NYC and Warwick Baker O'Neill, NYC. "This is the second spot we've done for Lexmark," said Black Logic designer/director Patrick Ferguson. "For the Z52, they wanted to maintain the Ritts' style, but point out that this printer is much faster. Essentially, the Z52 is the best of both worlds." The spot opens to the telltale sounds of a jet aircraft preparing for take-off. The camera slowly pans along the Z52.
AWN Headline News
Sesame Workshop (the Workshop), one of the world's leading producers of children's television programming, announced the appointment of Jennifer Chrein as the company's new vice president of global media. In the newly created position, Chrein will oversee international television sales for the company. Prior to the Workshop, Chrein served as senior vice president of New York-based Telescene Film Group, where she was responsible for negotiating distribution and sales with sub distributors and bringing co-producers, partners and projects from the worldwide marketplace to Telescene.
Rhinoceros Visual Effects and Design has added award-winning director/designer Harry Dorrington to its team of digital artists. London native Dorrington has garnered numerous awards including two Clios, two New York International Awards, one BDA Award, one RTS Craft Award, one British Festival Computer Award and many more. The Dorrington addition complements former R/Greenberg executive producers Michael Miller and Rick Wagonheim's strategy of reuniting a number of digital artists that worked together at the now defunct company.
Blur Studio, a leading animation and visual effects production studio, has completed a major expansion, which added a state-of-the-art motion capture production studio to their facilities. In addition, Blur has gained a digital edit bay and a clean room for networking and digital storage hardware. The expansion comes as Blur Studio is embarking on the production of a 3D ride film for Paramount Studios and Stan Lee Media, entitled STAN LEE'S 7TH PORTAL 3D SIMULATION EXPERIENCE. "Blur is evolving and evolving quickly," said Tim Miller, the company's president.
The chairman of Jim Henson Co., Brian Henson, has signed on to direct CBS' four-hour miniseries JACK AND THE BEANSTALK: THE REAL STORY. The production will start within the next two months in London with the Creature Shop handling the job of bringing the land of giants to the small screen. Henson and Bill Haber will executive produce the program with writer James V. Hart. Martin G. Baker and Tom Smith are producing and Alex Rockwell co-producing.
Phil Roman Entertainment, Inc. (PRE) has entered into a three-year, non-exclusive strategic alliance with the C-3D Television Network and the 3D.com Virtual Reality Portal Website, divisions of Chequemate International. The new agreement follows on the heels of PRE's president, Phil Roman's appointment to C-3D's advisory board. The partnership calls for both companies to jointly seek, develop, produce, promote, market and distribute animation and live-action programming for the C-3D Television Network and the 3D.com Virtual Reality Portal Website.
On Monday, October 9, 2000, Eidos Plc., the U.K. video game maker, declined a potential takeover after it decided that the terms and price didn't offer a good value to its shareholders. Eidos wouldnt release the names of the bidders, which analysts had rumored were either Infogrames SA, Microsoft Corp. or Electronic Arts. Upon the news, the companys shares fell 11% on the London stock exchange to 261 pence and dropped 14% on the Nasdaq stock exchange to US$3.88.
With Denzel Washingtons football flick, REMEMBER THE TITANS, firmly taking the top spot, the reissue of THE EXORCIST repossessed second place. The classic horror flick, with digital clean-up by Pacific Title Digital, scared up another US$7.21 million, levitating its cume to $17.67 million. Taking third for the second straight week was ALMOST FAMOUS, with a gross of $5.57 million. The rock n roll romp, with primary visual effects by Manex and Pacific Title Digital, raised its cume to $17.83 million.
* Thursday, October 12 Sunday, October 15, 2000. Montreal, Canada. Wednesday, October 18 Saturday, October 21, 2000. New York, New York, U.S.A. Wednesday, November 1 Saturday, November 5, 2000. Los Angeles, California, U.S.A. Thursday, November 16 Sunday, November 19, 2000. Seoul, South Korea. Friday, November 24 Sunday, November 26, 2000. Tokyo, Japan. Saturday, December 2 Sunday, December 3, 2000. Osaka, Japan.
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Like in the U.S., WHAT LIES BENEATH is showing its legs at the international box office, while HOLLOW MAN is fading fast. In its German debut last week, WHAT LIES captured US$3.46 million. FINAL DESTINATION crashed to second, with a gross of $2.6 million, lifting its German cume to $5.01 million. LITTLE VAMPIRE in its German premiere week brought home $969,183. In fifth, THE NUTTY PROFESSOR II: THE KLUMPS gobbled up another $878,918, lifting its German cume to $1.8 million. X-MEN materialized in seventh, grossing $683,497 thus raising its German cume to $11.56 million.
Eidos Plc, one of the world's leading publishers and developers of entertainment software, announced the resignation of the companys chief financial officer, Jeremy Lewis. Lewis is leaving Eidos to pursue a range of other interests. The company has commenced an external search for a new CFO to replace Lewis. Michael McGarvey, Eidos COO, said, "On behalf of the Board, I should like to thank Jeremy for the positive contribution he has made to Eidos and we wish him well for the future."
Dotcomix, a San Francisco-based animation company, has recently added Beth Sandell as the chief operating officer, Edward Burke as general counsel and vice president of business affairs, Peter Katz as vice president of marketing, and BZ Petroff as head of production. "Dotcomix is committed to presenting the best in online entertainment and animation," said Damon Danielson, CEO of Dotcomix.
CBS Saturday morning ratings have been sky rocketing since beginning airing the Nick Jr. block, with shows such as BLUES CLUES and LITTLE BILL. On September 30, 2000, the Nick Jr. programming on CBS averaged a 3.8 rating/18 share among kids 2-5. The ratings were up 58% from the previous week and up 388% from last year. WB ran second in the same demographic with a 2 rating/9 share, followed by ABC with 1.9/10 and Fox .9/4.
On Friday, October 6, 2000, Cinar Corp. released a letter by company president and CEO Barrie Usher to its investors chronicling the reasons behind their delayed reporting of financial statements dating as far back as 1997. Currently, the Montreal-based production firm is under investigation for allegedly using false Canadian names on scripts, written by Americans, to obtain lucrative Canadian tax credits.
AWN's Web Animation Guide is the place for what's new on the Net. This week's installment features funny Webisodes of WEEKEND PUSSY HUNT and THE STATISTICS SHOW and much, much more.
Get your Web Animation Guide here!
Also every week AWN's associate editor Rick DeMott highlights what he thinks is the top new toon in cyberspace in "Rick's Picks!"
Ottawa, Ontario, Canada-based Remote Planet, an independent radio program developing an animated TV series, is looking for 2D ANIMATORS/CONCEPTUAL ARTISTS. . . Halifax, Nova Scotia, Canada-based Helix Animation Inc., a 2D animation production studio, is looking for a 2D CLASSICAL ANIMATION POSER and an ANIMATION POSING SUPERVISOR for a Saturday morning television production. . . Mexico City, Mexico-based Ollin Studio, an animation and visual effects studio specialized in 3D animation and VFX for commercials, is looking for 3D ANIMATORS with experience. . .
On November 14, 2000 the 7th annual London Effects & Animation Festival (LEAF), Europe's leading computer generated animation and special effects festival will award the best work from around the world in the commercial, short film, feature film, student, music video, titles, idents & stings, education & simulation and Web animation categories. Winners will receive the prestigious Golden LEAF Award. This year, the festival will once again showcase computer-generated animation and special effects, reflecting some of the best creative and technical achievements of the past year.
The next Brussels Cartoon and Animation Film Festival will take place February 20-March 3, 2001. The festival is seeking submissions from your recent works in any categories of animation, from traditional animation to mixed media techniques. There is no distinction for formats or running time. Programming categories include: short films, feature films and tributes & retrospectives. There is no entry fee. The deadline for submissions is November 1, 2000. The 2001 edition will be the occasion to celebrate the 20th anniversary of the festival and everybody is invited to the party!