AWN Headline News
* Saturday, October 14, 2000. Los Angeles, California, U.S.A.
Teen Comic Age 2000 is a festival highlighting teen comic and animation artists. Presented by the Los Angeles Public Library, the event will feature portfolio reviews, comic and animation workshops, panel discussions, celebrity signings and student, computer and anime animation screenings. The festival takes place from 10 am 5:30 pm and admission is free. For more information contact the library at: Tel.: (213) 228-7510; or Web: www.lapl.org.
Editing Concepts Jesse Reisner combined live-action and graphics for two new 30-second spots for a new Kids Footlocker campaign. In "Super Hero," star Captain Velocity is going through his morning routine, until his emergency phone rings and he zooms off leaving a trail of smoke behind. In "Street Ball," city teens gather for an intense game of basketball, while a series of graphics pop-up to note the difference between the game as they play it and how basketball is played in a gym. "We knew going in that the graphics would play a huge role in the spot," said Reisner.
Quiet Man has created the "ground breaking" visual effects for Planters Nuts newest spot. In the spot, a group of golfers say to each other "gophers don't like nuts," making a rodent do a double take and uproot the putting green by tunneling a likeness of the Planters mascot "Mr. Peanut." "The challenge on the Planters spot came toward the end of the project," said Phalana Dias, Quiet Man visual effects artist. "The gopher's double take wasn't boarded, but it was a good idea, so it was up to me to animate the gopher's head using Inferno.
Olive Jar Studios Inc. will be the exclusive U.S. representation of veteran director Bruce Alcock and his Vancouver-based company Global Mechanic. Alcock, the former creative director and co-founder of Tricky Pictures, joins Olive Jar with a resume featuring live-action with mixed-media, design-based drawn animation, stop-motion and experimental computer animation. Olive Jars executive creative director Fred Macdonald said, "I have been a big fan of Bruces work, and, having bid against Tricky Pictures in the past, know that Bruce is one of the few true experimental directors.
Peter J. Schankowitz has been appointed Film Romans new president of television programming and development. Schankowitz will oversee all aspects of the companys TV development and sales, including developing live-action and animated series and specials. For the past two years, he has been senior development executive for Jonathan Goodson Productions where he headed the creation and executive producing of the companys reality and game projects.
High Dynamic Range Imaging is quickly becoming a prevalent digital technique. The ability to light quickly to live-action footage with such accuracy and quality is unmatched by any other technique. Lightwave has already incorporated HDRI into its latest release. Which other packages will follow suit? Rendering with HDRI is time consuming, but will the strong points overcome the deficits? The high quality results of THE MATRIX work by Manex, and the James Brown project, FUNK BLAST by Digital Domain suggest much more work in HDRI will be created as CPU's gain speed and the software evolves.
Messiah, the plug-in softbody and character module for Lightwave, has developed a stand alone package, messiah:studio, that should prove to be strong competition to 3D software packages. With Renderman capabilities, a low price tag (US$1600), softbodies for creating cloth and realistic characters, inverse kinematics for simplified animation, and radiosity for realistic rendering, it will be interesting to see how other packages react to messiah's strengths.
The international box office this past weekend saw a strong debut by SCARY MOVIE in the U.K. and THE TIGGER MOVIE bounced high in its Swedish nod. Disneys orange idol landed in #2, with a gross of US$280,418. Slipping to fourth, CHICKEN RUN laid another $184,548, bringing its total take in Sweden to $589,026. THE PERFECT STORM sank from #2 to sixth with a gross of $146,588, raising its Swedish cume to $834,053. X-MEN fell from fifth to eighth, with a gross of $78,087, lifting its Swedish cume to $1.43 million.
iFilm has set up an online screening room specifically for agents to check out iFilm shorts before they are released to the public. So far agencies CAA, ICM, the Gersh Agency and the United Talent Agency have signed on to participate in the program. Even before the new "Screening Network" was established iFilm short, 405: THE MOVIE, by Bruce Branit and Jeremy Hunt, landed the filmmakers CAA representation. iFilm is a content destination site that contains its own shorts and links to various work around the Web.
* Thursday, October 12, 2000. Westwood, California, U.S.A.
Jeffrey Scott will be guest speaker at the Women In Animation Writers' Group Seminar Series at Saban Entertainment, 10960 Wilshire Blvd., at 7:30 pm. Jeffrey has written over 500 animation scripts, including the recent PBS DRAGON TALES. For more information and/or to RSVP contact Jean Ann Wright at: Tel.: (818) 360-8321; or E-mail: email@example.com.
BKN International AG, a childrens animated production, distribution and marketing company, has launched a new media division, BKN New Media Ltd. The division was established to help BKN better exploit its properties over the Internet. The first venture for the new arm will be the launch of its consumer-based community Website featuring THE ROSWELL CONSPIRACIES.
Columbia Pictures has optioned the feature film rights to Image Comics POWERS, created by writer-artist Brian Michael Bendis and Michael Avon Oeming. Financial terms of the deal were listed as the duo receiving low six figures up front leading to high-six figures following the films release. The comic follows the cases of two homicide detectives -- who live in a world full of superheroes and villains assigned to the "powers" division to investigate superpower-related murders. Bendis will either receive a co-producing or an associate producing credit on the film.
* Saturday, October 14 Saturday, November 18, 2000. Manitou Springs, Colorado, U.S.A.
Entry Deadline: September 15, 2000.
* Friday, October 6 Sunday, October 8, 2000. Saint Gely, France.
Objectif Image Saint Gely presents the 15th annual Saint Gely Short Film
Festival. The festivals categories are documentary, fictional-dramatic, animation and experimental. Past festival chairmen have been Jean Pierre Mocky in 1998 and Claude Pinoteau in 1999. For more information contact Jean Pierre Mas at: Tel.: ++33 4 67 66 69 69; or Web: http://perso.wanadoo.fr/herve.lebrouster.
Santa Monica-based R!OT, a digital production studio, recently finished the visual effects for a commercial promoting Tennessee's Vanderbilt-Ingram Cancer Center. Digital artist Verdi Sevenhuysen helped turn Malibu Beach into the shores of Omaha Beach during D-Day. Sevenhuysen used Discreet Inferno system to alter the live-action footage to match the European topography. He also placed a series of steel tank traps onto the sandy shore. "It was a very close collaboration between director Karsten and I," said Sevenhuysen. "They didn't have the budget to shoot in France, but it didn't matter.
Wild Brain, the San Francisco-based animation house, has wrapped on three 30-second spots for Interline/Scandinavian Designs. The fast-paced commercials pop the furniture companys many types of chairs and sofas onto the screen with an up-tempo sleek design. "The challenge was to design the spots to showcase their huge selection of furnishings in a visually compelling manner, yet remain true to the clean, sleek feel of the line," said spot director and designer Julia Tortolani.
Brooks Jewell has been named publicity director for Blue Sky Studios. She will head marketing, advertising and publicity activities relating to the studio, and will also work with the licensing and merchandizing divisions of 20th Century Fox Animation, Blue Skys parent company. Joining Blue Sky in 1998 as a publicity coordinator, Jewell rose to the position of publicity manager, where she played a key role in the studios successful Academy Award campaign for the animated short film BUNNY.