In the wake of recent financial difficulties for visual effects companies such as Rhythm & Hues, and across the entire VFX industry, there was an outpouring of support for visual effects artists as they staged a protest during the red carpet portion of the Academy Awards ceremony on Sunday.

Visual Effects Society Chair Jeffrey A. Okun had been quoted in Variety with comments that suggested he thought the protest had been poorly organized and lacked specific goals. Since then, the VES has posted on its website an open letter from Okun to VES members in which he says his remarks were taken out of context.

Okun’s letter notes that “what we need is a clearer sense of strategic thinking about what we should be asking for with the support of the entire VFX community. I felt that to organize a formal protest without well defined goals was not the best way to capitalize on the anger in our community (although I was heartened to hear that hundreds of artists from our community took part).”

The full letter from Okun is shown below:

To the Members of the VES
from Jeffrey A. Okun, Chair

We are at a tipping point in our industry – no matter where you live or work. It has become painfully obvious that while profits abound for producers and distributors, our budgets are being squeezed to the point of jeopardizing our jobs and the quest for a reasonable life style for VFX artists. This was evidenced by the Protest yesterday at the Oscars. There is just a lot of anger and frustration out there and it has taken tangible form at this time.

Add to this heated time what occurred on the Oscar broadcast when LIFE OF PI wins the award and the team is effectively censored from making any statement about our plight. Not to mention the further insult of the Jaws theme being used.

During the Oscar-cast I received a call from Variety (they amended the article to add my comments). I WAS ANGRY and OUTRAGED. I am still angry and outraged.

But what was printed in the article was taken out of context, which I am personally very upset about. What I said was: Change needs to happen. That I supported the protest and even more the protesters. I said that what we need is a clearer sense of strategic thinking about what we should be asking for with the support of the entire VFX community. I felt that to organize a formal protest without well defined goals was not the best way to capitalize on the anger in our community (although I was heartened to hear that hundreds of artists from our community took part).

The VES has been working extremely hard to bring us together and accomplish this. We have spent 3 years meeting, talking, presenting, planning and attempting to bring together the real stakeholders in this issue. We have brought the discussion to the forefront of the artists, the facilities and the studios as well as the press. We have hosted meetings for those who wanted to explore whether or not to form Trade organizations or Unions. We have spent considerable time and effort researching Healthcare issues for our members around the world who need it. We have continued to bring the issues to the forefront while never losing sight of our primary function as a Professional Honorary Society – to highlight the artists, showcase their work, focus the spotlight of the industry on our people and their contributions.

But at this moment, this tipping point, this is the time to come together.