Continuing our focus on films this month, we look internationally, as Alain Bielik examines the gorgeous hallucinatory work done by Mac Guff Ligne for the French western BLUEBERRY, Chris Harz sizes up the London vfx scene, where a flurry of big budget American productions have recently migrated; and on Thursday I take a glimpse of the emerging presence of Shanghai SFS Digital Media as a vfx/3D-animated force to be reckoned with in China.

Plus, check out our exclusive SHREK 2 visual development gallery, which shows off more detail, richness and realistic bounce to the lighting in this highly anticipated sequel opening Wednesday.

Bill Desowitz
Editor