BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:

Homeland: “The Choice”
Terry Kelley, A.C.E.

Homeland: “State of Independence”
Jordan Goldman

The Newsroom: “We Just Decided To (Pilot)”
Anne McCabe, A.C.E.

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:

Game Change
Lucia Zucchetti, A.C.E.

Hatfields & McCoys, Part 1
Don Cassidy

Hemingway & Gellhorn
Walter Murch, A.C.E.

BEST EDITED NON-SCRIPTED SERIES:

Beyond Scared Straight : " Oklahoma County, OK - The Weight"
Rob Goubeaux, A.C.E., Mark Andrew, A.C.E., Paul J. Coyne, A.C.E., Mark Baum, Jeremy Gantz, Johnny Skaare, J.C. Solis & Ken Yankee

Frozen Planet: “Ends of the Earth”
Andy Netley & Sharon Gillooly

Deadliest Catch: “I Don't Want to Die”
Josh Earl, A.C.E. & Alex Durham

Final Ballots will be mailed on January 23 and voting ends on February 8. The Blue Ribbon panels where judging for all television categories and the documentary film category take place January 27. Projects in the aforementioned categories are viewed and judged by panels comprised of professional editors (all ACE members).  All 700+ ACE members vote during the final balloting of the ACE Eddies, including active members, life members, affiliate members and honorary members.

The ACE Eddie Awards is considered an integral precursor to the Oscars. No film has won Best Picture at the Oscars without also having received at least a Best Editing nomination since Ordinary People in 1981. Since the ACE membership boasts a very high crossover within its membership of Academy members, it represents a very accurate bellwether for the eventual Oscar outcome. 

Source: American Cinema Editors