BEST SOUND EDITING: SHORT FORM MUSICAL IN TELEVISION
Grey's Anatomy: "Song Beneath the Song" (Disney Media Distrubution)
Directed by: Tony Phelan
Produced by: Shonda Rhimes, Betsy Beers, Mark Gordon, Tammy Ann Casper
NOMINEES:
Supervising Music Editor: Jennifer Barak
Music Editors: Carli Barber, Jessica Harrison

BEST SOUND EDITING: SHORT FORM DIALOGUE AND ADR IN TELEVISION
Game of Thrones: "Cripples, Bastards and Broken Things" (HBO)
Directed by: Brian Kirk
Produced by: David Benioff, Frank Doelger, Dan Weiss, Carolyn Strauss
NOMINEES:
Supervising Sound Editor: Stefan Henrix
Supervising Dialogue Editor: Peter Blayney
Supervising ADR Editor: Tim Hands
ADR Editor: Iain Eyre

BEST SOUND EDITING: SHORT FORM SOUND EFFECTS AND FOLEY IN TELEVISION
Game of Thrones: "Winter is Coming" (HBO)
Directed by: Tim Van Patten
Produced by: David Benioff, Frank Doelger, Dan Weiss, Carolyn Strauss
NOMINEES:
Supervising Sound Editor: Stefan Henrix
Sound Designer: Andy Kennedy
Supervising Foley Editor: Steve Fanagan
Foley Artists: Caoimhe Doyle, Eoghan McDonnell
Sound Effects Editors: Naill Brady, Jon Stevenson, Fiadhnait McCann

2012 Golden Reel Award Winners: OTHER
BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT
Aim High (Warner Brothers Digital Distribution)
Directed by: Thor Freudenthal
Produced by: Andy Shapiro, Lance Sloan
NOMINEES:
Supervising Sound Editor: Trip Brock
Supervising Foley Editor: Greg Mauer
Supervising Dialogue/ADR Editor: Ben Whitver
Foley Artist: Tara Blume
Music Editor: Chris McGeary, MPSE
Sound Effects Editors: Steven Avila, Alexander Pugh, & Peter Daniel Lago, MPSE

BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
Need for Speed: The Run (Electronic Arts)
Directed by: Jason Delong, Kirk Gibbons, Adam Myhill
Produced by: Jason Delong
NOMINEES:
Supervising Sound Editors: Peter Zinda, MPSE, Charles Deenen
Sound Designers: Tim Walston, MPSE, & Tim Gedemer, MPSE
Supervising Dialogue/ADR Editor: Fred Stahly
Foley Artist: Gary Hecker
Music Editor: Bryan Celano
Sound Effects Editors: Mike Berg, Csaba Wagner, Ethan Van der Ryn, Steve Robinson, MPSE, Scott Wolf, MPSE, & Bryan Jerden

BEST SOUND EDITING: DIRECT TO VIDEO-ANIMATION
Megamind: "The Button of Doom" (Dreamworks Home Entertainment)
Directed by: Simon J. Smith
Produced by: Denise Nolan Cascino, Mark Swift
NOMINEES:
Supervising Sound Editor: John Marquis
Music Editor: Adam Smalley, MPSE
Foley Artists: Dan O'Connell, John Cucci
Sound Effects Editor: Tobias Poppe
Foley Editor: Jonathan Klein
ADR Editor: Susan Dudek

BEST SOUND EDITING: DIRECT TO VIDEO-LIVE ACTION
Love (To the Stars)
Directed by: Will Eubank
Produced by: Tom DeLong, Mark Eaton
NOMINEES:
Supervising Sound Editor/Sound Designer: Robert Kellough
Supervising Sound Editor: Craig Henighan, MPSE
Foley Artist: Steve Baine
Sound Editor: Andy Koyama

BEST SOUND EDITING: SPECIAL VENUE
Rocky Mountain Express (The Stephen Low Company)
Directed by: Stephen Low
Produced by: Pietro L. Serapiglia, Alexander Low
NOMINEES:
Supervising Sound Editor: Peter Thillaye
Sound Designers: Ed Douglas, Karl Mohr
Supervising Foley Editor: Michel B. Bordeleau
Music Editor: Cory Mandel
Foley Artists: Goro Koyama, Andy Malcolm

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
The Pride of Wade Ellision (National Film and Television School)
NOMINEES:
Supervising Sound Editor: Jay Price
Foley Artist: Ruth Sullivan