Origami Digital delivers feature film-level visual effects for new web series with Virtual Studio Tools in LightWave 11 3D modeling and animation software.
Burbank, CA –
Origami Digital utilized the features in LightWave 11, including Virtual Studio Tools, to streamline virtual production for the new sci-fi action series DR0NE, which premiered August 30, 2012 on the YouTube YouOffendMeYouOffendMyFamily (YOMYOMF) Network.
Working closely with DR0NE Director Robert Glickert, Origami Digital’s VFX Supervisor Oliver Hotz and a team of artists used LightWave to create the CG elements for 200 shots in the series; 98 shots were created for the premiere episode—from plates to delivery—in 2 1/2 weeks.
“I've been using LightWave for 20 years and can't think of another package that can match its ease of set-up and ability to quickly create photorealistic renders,” said Hotz. “It works perfectly with the internal tools and multi-app pipeline in our facility.”
Virtual Studio Tools in LightWave 11 allow artists to easily manage and control animated objects and characters while recording the performance motion from simultaneous devices into animation takes for playback and viewing. The new Control Booth and Device Managers in Virtual Studio Tools can be used to manage every aspect of how a controller is configured and used in LightWave, allowing anything that can be animated in LightWave to be controlled with numerous devices.
Origami Digital’s biggest challenge in the DR0NE production was creating animated, photo-real CG eyes that could be integrated with the live-action robot. “Going into the project we knew that having control of the robot's eyes and the ability to animate them for specific performance moments was the director’s main VFX objective,” explained Hotz. “Using LightWave's Virtual Studio Tools allowed me to interactively work with the director to nail down the eye movement—it was also great for the director to be able to experiment with the robot’s eye movement using a joystick controller.”
LightWave was the software of choice for creating various other CG objects in the series. “Along with CG Eyes there were a variety of other drone models, vehicles and drop pods that needed to be done quickly to meet the delivery deadline for the project,” said Hotz. “We used LightWave throughout the entire 3D pipeline for modeling, texturing, lighting, animating and rendering; compositing with Eyeon Fusion.”
Jennifer Wolfe is Director of News & Content at Animation World Network.