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Mothership Creates Launch Spot for Nike Flyknit

Director David Rosenbaum of Digital Domain's advertising and entertainment production company Mothership was tapped by Nike to launch its revolutionary new Flyknit technology and shoe collection.

Press release from Mothership:

Los Angeles, CA -- Director David Rosenbaum of Digital Domain's advertising and entertainment production company Mothership was tapped by Nike to launch its revolutionary new Flyknit technology and shoe collection. Rosenbaum worked directly with NIke to conceive "Biomorph,” the :51-second short to mark the debut of the new shoe technology. The spot premiered at the annual 2012 Nike Innovation Summit on February 21st and is also featured on Nike’s website and YouTube channel, where it has generated almost 400,000 views. Sister company Digital Domain handled visual effects.

Nike approached Mothership with the mandate that the launch film should be performance-driven and an expression of how Flyknit shoes are knit seamlessly to form to a runner’s foot like a second skin. Based on that brief, Rosenbaum developed a thirty-page story with images and a concept to convey both the unique attributes of the shoe and how those attributes impact the running experience.

“I was inspired by the concept of body schema—a term used across disciplines to describe the way that tools work with, and become extensions of the body. That really resonated with the way their Flyknit technology is designed—becoming an extension of the runner’s foot, seamless and lightweight,” said Rosenbaum. “From there the story of the progression of a barefoot runner’s stride with threads that weave themselves around his foot to reveal the Flyknit shoe began to take shape.”

The Flyknit shoes are the first to be manufactured entirely in-house at Nike headquarters in Portland, Oregon. Rosenbaum met with Nike engineers and watched the shoes get made on customized industrial knitting machines. Nike tackled a complex runner’s challenge by creating a new material and method for making shoes; Rosenbaum worked with Digital Domain’s artists to develop a visual expression for the innovative weaving process in which these shoes are made. In addition to developing the spot concept, every aspect of the execution from storyboards to shoot, edit and effects were done in-house at Mothership and Digital Domain; Rosenbaum also commissioned the music, a custom track composed by David Wittman at Elias Music.

A very limited run of Nike Flyknit shoes was issued to coincide with the debut, however the highly-anticipated collection will be available in a wider release this summer.

About Mothership

Mothership creates advertising, entertainment and branded content. We take projects from concept to completion using whatever approach works best for the story being told - whether it's live action, CG, animation, full-scale digital production or anything in between. A sister company to Digital Domain, we have all of the resources and expertise of the legendary digital production studio at our fingertips, so we can always create whatever we envision; from TV commercials to video game marketing to integrated campaigns. Mothership is a subsidiary of Digital Domain Media Group (NYSE: DDMG) http://www.mothership.net

Credits for Nike “Biomorph”

Client: Nike

Andy Walker: Creative Director Jesse Canright: Executive Producer Barb Freeman: Production Manager The Bergeron: Producer

Production by: Mothership

David Rosenbaum: Director Ed Ulbrich: Chief Creative Officer, Digital Domain and President, Mothership Tanya Cohen: Executive Producer Scott Gemmell: Head of Production Tiffani Manabat: Producer Birthe Lauchengco: Production Supervisor Paul Cameron: Director of Photography

Animation, Editorial & Visual Effects by: Digital Domain

Ed Ulbrich: Chief Creative Officer, Digital Domain and President, Mothership Tanya Cohen: Executive Producer Scott Gemmell: Head of Production Aladino Debert: Visual Effects Supervisor David Liu: CG Supervisor Nicola Wiseman: Producer William Lemmon: Producer Rachel Mariscal: Digital Production Manager Colin Woods: Editor Richard Poulain: Storyboard Artist Brian Creasey: Generalist Casey Benn: Generalist Dave Carlson: Generalist Gideon Vandergrift: Generalist Kevin Culhane: Animator Adrian Dimond: Technical Director Michael Lori: Data Integration Ken Jones: FX Artist Eric Ebeling: FX Artist Jason Mortimer: FX Artist Rafael Colon: Lead Nuke Compositor Scott Hale: Nuke Compositor Sven Dreesbach: Nuke Compositor Jeff Heuser: Flame Artist

Music by: Elias Arts

Composer: David Wittman Creative Director: Dave Gold Executive Producer: Ann Haugen

Jennifer Wolfe's picture

Formerly Editor-in-Chief of Animation World Network, Jennifer Wolfe has worked in the Media & Entertainment industry as a writer and PR professional since 2003.

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