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First SIGGRAPH Asia a Hit

From Animated Travels blog

SIGGRAPH Asia Kicks Off, CAF Awards & the Clone Wars InvadesThe inaugural SIGGRAPH Asia 2008 was formally opened on Tuesday, Dec 11, in true Singaporean style: with festive opening speeches by the Conference Chair YT Lee and by distinguished government representatives.

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SIGGRAPH Asia Feels Right, What Singapore Has To Do WithFor everyone used to the grandeur and immense scale of the U.S. SIGGRAPH, it is important to explain that the inaugural SIGGRAPH Asia in Singapore is planned to be much smaller. ACM has taken a big risk in bringing the conference abroad, no one could be certain if it would work. With the last conference day still ahead of us I would already like to call the show a success. From what I see and hear, everybody seems happy at SIGGRAPH Asia in Singapore. The exhibition floor is busy; the quality of talks is as high as we are used to, the Electronic Theater has been praised for its quality selection, and whether speaking with SIGGRAPH Committee members or attendees, everyone notes the intimate feeling, “stars” of the community become more approachable and there is a family flair in the air.

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Rob Cook Talks Right Brain And Left BrainRob Cook’s featured speaker keynote took us on a journey behind the scenes of a Pixar production. Interestingly, Rob is the Vice President of Advanced Technology at Pixar Animation Studios, yet he hardly spoke about technology. He talked about story, story, story, and art. It might just be that he is so humble to rather highlight other folk’s contributions to Pixar’s final products, but it surely is connected with Pixar’s secret recipe to success – their stories.

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A Stroll Through the Art Galleries & Emerging TechnologyI spoke with the Computer Animation Festival (CAF) Chair Jinny Choo about her ideas and vision for CAF. Being the curator and manager of SICAF Seoul, Jinny’s aim was to bring a similar festival feeling to SIGGRAPH Asia and sees it as an opportunity to taste other styles in a global festival. So for the animation fan there were a plethora of programs to choose from. The Electronic Theater, screening the best of the best, was, as usual, the main event, with additional submissions selected for the Animation Theatre I and II and the Special Programme I and II. An addition was the Invited Screenings, showing previous Best of SIGGRAPH Award Winners; Gobelins, K’ARTS and Supinfocom selections; an Australian and India Focus and a Studio AKA Special; complemented by Festival Talks and Panels on Productions.

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reported by Melanie Beisswenger

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