VFXWORLD continues its TV coverage with how 3ds Max was used creatively on IFCs new animated series, HOPELESS PICTURES. Barbara Robertsons informative Q&A with Kim Lee of World Away Prods. reveals how and why the animation team incorporated the popular Autodesk software. Meanwhile, Sharon Adcock just returned from IBC 2005 in Amsterdam and reports on how DI is exploding throughout Europe and how data-centric workflow has become the new mantra. Plus, Alain Bielik reveals how Zoic Studios made the transition from TV to features with SERENITY (based on the FIREFLY series, for which it won a visual effects Emmy).
Bill DesowitzEditor
Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.
