THE DA VINCI CODE offers another prime example of innovative invisible effects, and Tara DiLullo details the fine work of Rainmakers new London facility and MPC. Per Holmes describes why storyboarding is an outmoded shot-planning tool for 3D in The Digital Eye. Alain Bielik gets a sneak peek at how Mainframe altered its design process to accomplish more realistic MoCap in the upcoming TONY HAWK IN BOOM BOOM SABOTAGE DVD. And I explore some of the rich techniques and uncompromising artistic choices in Disneys new short based on Hans Christian Andersens THE LITTLE MATCHGIRL.
Bill DesowitzEditor
Rick DeMott
Animation World Network
Creator of Rick's Flicks Picks
