The biggest challenge facing Pixeldust was rebuilding the 2D shots as 3D stereo, throwing away all the depth of illusion tricks used by traditional VFX artists in their work. “On a really short schedule, we were able to deliver all the shots re-mastered in 3D stereo, without using 2D to 3D conversion and with few differences,” adds Alsup. “Then we made sure the 3D stereo version was better than the original. The shots we delivered were uniformly magnificent.”  

Source: Pixeldust Studios