Sixty40 continues to attract globally celebrated directors, adding Brazilian mixed media director Boca, French animation director Skull and design storyteller Kyra Bartley to their talent pool.
Trollbäck+Company‘s striking show-opening animation revealed the first new AICP logo in 45 years at The Museum of Modern Art (MoMA).
Fast growing Swedish VFX and CGI company Goodbye Kansas has replaced previous brands Fido, Bläck, Imagination Studios and Pixel Grinder with Goodbye Kansas Studios, an integrated company consisting of 150 artists and producers.
The LA-based creative agency used PipelineFX’s intelligent render farm manager to create the logo animation shown in films like Oscar-winner ‘Manchester by the Sea.’
Joshua Cox and the Bent Design Lab team evoke imaginative landscapes in CG shorts “Clouds,” “Cards,” and “Circus,” as part of a web and print campaign for Cramer Krasselt and ArcBest.
Production company 1stAveMachine combines resources with VR community and platform Kaleidoscope to focus on producing branded VR content.
SVA ushers in a new wave of animators, artists and filmmakers with Hollywood showcase and alumni networking opportunities.
Deadline for entries in Germany’s annual 3D Animation & Still, Visual Effects, Visualization and Design competition extended to Monday, June 19.
The Microsoft Azure Batch Rendering Platform is built on the Azure Batch platform and allows users to submit render jobs through Maya, 3ds Max and Arnold, and the Azure SDK allows customization and open-source plugins to integrate directly with Maya and 3ds Max.
CSU Animation & Visual Effects present the 14th Anniversary of the Australian International Animation Festival, running Friday, May 12 through Sunday, May 14, 2017.
Award winning animators Wendy Tilby and Amanda Forbis are currently taking on the stage.
Short film adaptation of the poem ‘Monsters’ by Dorothea Lasky employs highly technical workflow to convert 3D VFX elements to 2D animation.
VFX supervisor Mark Bakowski discusses his team’s 10,000 frame, seven-minute ISS interior sequence for Daniel Espinosa’s and Sony’s sci-fi thriller.
Industry event designed to attract top talent and employers.
Picasso Pictures director creates humorous social media campaign for a fictitious drug called Ugrow with a range of colorful animated GIFs and videos.
All-new on-air brand refresh from Buenos Aires-based global branding and creative agency reflects the playfulness and imagination of kids’ lives.
Every Monday, Chris Robinson serves up Animators Unearthed, a brief introduction to prominent and not-so-prominent indie animators. This week's focus is the influential Swedish studio, Filmtecknarna.
Deadline for entries of short films, student films, commissioned works, documentaries and music videos, and animated virtual reality experiences is June 1st.
A message from the future with a warning for all creative souls...
Deadline for submissions of work in 3D Animation, Visual Effects, and Visualization spanning 11 categories for consideration at the animago AWARD 2017 is May 31st.
CG short from Creative Director team Territory questions the divisive nature of media and technology in the modern age.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Creative company celebrating its 20th anniversary in 2017 adds two executives to its Los Angeles studio.
The Kew Gardens Festival of Cinema is a non-profit organization established to support the development, and help expand the audiences, of independent cinema from around the globe.
Every Friday Chris Robinson unleashes some freewheeling cheer or loathing on the animation community to be mused, countered, or disregarded. It’s your call.
