iPi Soft announces the availability of iPi Motion Capture Version 3.0, which includes new features for improved workflow, including support for the new Microsoft Kinect 2 sensor and increased tracking speed.
Category: Motion Graphics
We Think Things, founded by motion graphics artists and directors Pascal Monaco and Felix Mayer, signs with The Academy for commercial representation.
Ahead of the Fall 2014 semester, USC School of Cinematic Arts installs OptiTrack motion capture and tracking systems in three key locations within the Robert Zemeckis Center for Digital Arts.
Motion capture and animation studio closes management-led buyout deal from parent company Vicon and OMG.
Motion design studio Invisible Light Network combines Anime with pixel art and glitched-out, Tumblr-inspired CG in epic landscapes and storylines.
Classic text-based adventure game ‘ZORK’ inspires live-action and computer generated cinematics for University of Wisconsin-Stout Art and Design project.
Motion graphics/animation studio recalls classic ‘Metropolis’ imagery for CG piece seen before every feature presentation at Midwest film/arts hub.
Appointment comes alongside the recent hire of Zak Thornborough as Executive Producer of MPC Creative in the U.S.
At the After Effects World Conference, taking place September 26 – 28, MAXON will be offering sessions to explore close integration between MAXON Cinema 4D and Adobe After Effects.
Blackmagic Design announces its acquisition of eyeon Software, a leading developer of high end digital compositing, visual effects and motion graphics software for the feature film, commercial, television and broadcast industries.
Gentleman Scholar releases a stunning visual interpretation of poetry in collaboration with Motionpoems, a non-profit that pairs up-and-coming poets with award-winning design, production and visual effects studios.
Paris’ NAKED Compagnie and New York’s ROOF Studio team up in the Cloud to produce a prolific series of eight second CG bumpers.
Strategic design agency Trollbäck + Company creates the show open for new HBO comedy series, ‘Last Week Tonight with John Oliver.’
The creative lead talent on the company’s newest round of work for Samsung and Cheil Worldwide and the Galaxy S5 phone, Sean Starkweather is named creative director at Stardust.
Red Giant Software launches Red Giant Universe, a revolutionary new community with access to an ever-expanding library of new tools and effects for filmmakers and motion graphic artists.
CSU Animation and Visual Effects is proud to present the 11th Anniversary of the Australian International Animation Festival. This internationally renowned event features over 100 prestigious films adeptly selected from more than 2,500 submissions from all around the world. The range of styles, genres and techniques is testament to the vibrancy and relevance of creative animation and the premiere screening of this highly acclaimed collection is happening from the humble host city of Wagga Wagga in regional Australia.
Modus Operandi creates a new branding package for the 2014 Game Marketing Summit taking place April 23.
Galaxy 61 celebrates its 10th anniversary with a re-branding and a new website showcasing the company’s capabilities that are tailored to animation and VFX-driven projects with big ideas and small budgets.
CNN taps entertainment branding agency loyalkaspar to create a multi-platform marketing campaign for The Sixties: The British Invasion.
Red Giant announces a Public Beta of Trapcode Mir 2, a motion graphics tool that allows users to create 3D surfaces for use in motion graphics and visual effects.
Design and animation studio Golden Wolf heads to the US as it joins Blacklist’s growing roster of talent.