VFXWorld's Rick DeMott and Bill Desowitz sketch out a list of the hotly anticipated visual effects flicks of 2010.

Rick DeMott counts down the biggest visual effects accomplishments of the 2000s.

Doug Smith discusses how Rhythm & Hues raised the chipmunk quotient for The Squeakquel.

Chas Jarrett takes us to the scene of the vfx for the latest incarnation of that famous Baker Street consulting detective.

Jay Worth and Andrew Orloff describe some of the vfx highlights of the Fringe's second season.

John Paul Docherty and Richard Bain tell us what it was like conjuring new frontiers for The Imaginarium of Doctor Parnassus.

Find out from Joe Letteri and others how Avatar has created a VFX revolution.

The King of the World tells us how he literally moved mountains with his revolutionary Avatar.

Michael Owens and Geoffrey Hancock discuss breakthrough virtual crowd work on the latest Clint Eastwood feature.

Peter Jackson tells us what it was like creating the In-Between world with Weta.

Kevin Blank goes behind-the-scenes of the hot new ABC series.

Dan Glass, Chris Townsend and Bjørn Mayer provide a behind-the-scenes glimpse inside Ninja Assassin.

Mark Forker of Dive tells us what it was like traveling down The Road.

Susan MacLeod and Phil Tippett discuss werewolves, "vampire speed" and "diamond skin" in the latest mega-smash, The Twilight Saga: New Moon.

Craig Hayes tells us what it was like working in China on Red Cliff, which benefitted greatly from contributions by Prime Focus and CafeFX.

Zoic's Andrew Orloff fills us in on the awe and wonder behind V.

Uncharted Territory and other key VFX companies tell us how they created the cataclysmic destruction in Roland Emmerich's 2012.

We offer our holiday preview with five examples of VFX craftsmanship that runs the gamut from explosive to bloody to sublime to howling to out of sight!

David Sudd takes us through Vicon's latest version of boujou to see how it tracks.

Thomas Tannenberger reveals the vfx tricks inside Richard Kelly's The Box.