VFXWorld Magazine
The four-time Oscar winner talks about the VFX front runner.
Terrence Masson talks about preparing educators and students through a pioneering new approach to interdisciplinary collaboration.
VFX supervisor James McQuaide reveals the 3-D and Uber Lycan creature work of the fourth Underworld film.
ILM supervisor Craig Hammack sweeps through the VFX challenges of George Lucas' pet project about the top guns of World War II.
ILM visual effects supervisor Ben Snow shares his insights on turning sultry underwater vixens into vicious battling mermaids, all in stereoscopic 3-D
Framestore's Ben Morris describes how they managed to make us believe they never touched a shot in Steven Spielberg's Oscar contender.
Steven Spielberg tells us about the journey to make his first animated feature.
Framestore's Christian Kaestner debriefs us about the reworking of John Le Carre's Tinker Tailor Soldier Spy with director Tomas Alfredson.
In the first part of a three-part chapter excerpt, Stephen Burns begins with a tutorial on creating the initial landscape using auto align layers.
John Bruno breaks down the VFX highlights of the penultimate Twilight, directed by Bill Condon.
Max Ivins discusses how Look FX helped refine Jim Henson's beloved furry friends for their big-screen comeback.
Rob Legato and Ben Grossmann divulge the secrets behind Martin Scorsese's first foray into 3-D.
Tippett Studio takes on MoCap for the first time in the new bloodthirsty epic by director Tarsem Singh.
In the third excerpt, Stephen Burns teaches us about Adobe Camera Raw (ACR) Interface.
