VFXWorld Magazine
ILM's Roger Guyett discusses J.J. Abrams' hybrid vision for his latest Star Trek movie.
Supervisor Nick Markel takes us inside The Third Floor’s previs work on Joe Kosinski's sci-fi thriller.
Iron Man 3 may be more angst-ridden, but there were a lot more suits to be battle-tested.
A stellar Motion Picture Academy VFX Convergence program shines a welcome spotlight on the world of previsualization.
- The Oscar®-winning director’s new film is thought-provoking, intense and dare I say, hilarious.
James Gartler walks us through 11 visually tantalizing films hitting the box office this Spring.
Senior VFX Supervisor Evan Jacobs blends explosive action sequences with a complete Washington DC re-creation, all done in Louisiana.
Digital Domain, ILM and Method step up the explosive action for the new G.I. Joe sequel.
The directors, head of character animation and VFX supervisor describe the making of the latest feature from DreamWorks Animation.
Oz the Great and Powerful offers a new, hybrid spin on a beloved classic.
How Dan Schrecker and Jonathan Levine brought the undead to life in Warm Bodies.
Virtual production takes an evolutionary leap with Bryan Singer's Jack the Giant Slayer.
Method provides imaginative VFX environments for the new supernatural fantasy.
The film’s Executive Producer and ILM VFX Supervisor discuss the Oscar®-nominated superhero epic’s visual effects challenges.
Top industry professionals tackle the issue of what makes a film “the best.”
James Gartler takes us through key visual effects-driven films still waiting to hit theatres this winter.
The Grimm fairy tale gets a gory and funny reworking with plenty of supporting VFX.
The Animation Mentor CEO discusses educational philosophy and how his school’s new AMP fully distributed production pipeline meets a changing industry’s needs.
Here's a rundown of the 10 films from last night's VFX Bakeoff presentations at the Motion Picture Academy.
Digital compositor Daniel Molina takes a look at the Foundry’s latest Nuke release.
Disney redefines animation layout, staging and visual development with their paradigm-changing virtual camera system.
Peter Jackson and Joe Letteri describe the brave new virtual world they've created at Weta.
Mark Salisbury’s new book provides in splendid detail Ridley Scott’s storyboards, film stills, concept art and other visual materials from his sci-fi epic, Prometheus.
Key rendering, modeling and camera enhancements along with new sculpting tools make this a robust and worthy upgrade.
