Magazines
Do a wider variety of narratives and protagonists mean unabashedly gay animated characters are being embraced by the majority of mainstream U.S. audiences?
Catherine Morrissey reports how economic uncertainty has forced content professionals to reassess which events they attend.
ILM's Roger Guyett discusses J.J. Abrams' hybrid vision for his latest Star Trek movie.
Supervisor Nick Markel takes us inside The Third Floor’s previs work on Joe Kosinski's sci-fi thriller.
The Oscar®-winning director’s new film is thought-provoking, intense and dare I say, hilarious.
A stellar Motion Picture Academy VFX Convergence program shines a welcome spotlight on the world of previsualization.
James Gartler walks us through 11 visually tantalizing films hitting the box office this Spring.
Bill Desowitz reports back from Pixar about how global illumination is powering the upcoming Monsters University and The Blue Umbrella.
Digital Domain and Pixomondo tell us about working on Joe Kosinski's follow-up to Tron: Legacy.
Do you remember the moment of inspiration when you first decided to work in animation?
Fred Patten describes why fans of the new DreamWorks feature will love this definitive movie art book.
Senior VFX Supervisor Evan Jacobs blends explosive action sequences with a complete Washington DC re-creation, all done in Louisiana.
Digital Domain, ILM and Method step up the explosive action for the new G.I. Joe sequel.
Dr. Toon discusses why Disney’s award-winning short Paperman is more than it seems.
