Features pictures sent in by Animation World Magazine readers of themselves, animators and others enjoying the 1998 Ottawa International Animation Festival.

The inventiveness of independents...

Joseph K. Bevilacqua highlights what's new in animation for the U.S. 1998/99 television season, from CBS to Cartoon Network.

Expanding television...

August's 1998's Dirdy Birdy by John Dilworth.

Claire Armstrong, Tim Harrington, Victoria Livingstone.

Old countries are learning new tricks...

What can the Union do for you? President Tom Sito explains.

Is it all that upsetting?

Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Students have to say.

Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Industry Reps have to say.

Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. See what Educators have to say.

June 2008's Dirdy Birdy by John Dilworth.

Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included.

Wendy Jackson reports on the second annual BrainCamp, an exclusive think tank for executives in the kids' entertainment industry.

It's the drawing stupid!

Finally, something the Pimp likes! Rex The Runt.But, this month, we see that the Animation Pimp reads a lot into this show of four dogs.

How did they create Jack and Rose's frosty breath? Marian Rudnyk describes the rotoscoping process that was used to bring the Titanic experience to life.

Animating under the camera with sand or paint on glass is a tricky feat. Here a host of experts offer their tried and true methods.

Varying degrees of separation: visual effects and experimental animation.