ANIMATION WORLD MAGAZINE - ISSUE 5.03 - JUNE 2000
Lets Sketch on Location
(continued from page 2)
In the drawings on this page, the point to point method that we have been using has been changed; as I was drawing, I extended each line as I went, so that I got a more general feeling for the whole. In doing this, my main concern was to try and understand the flow of the rhythm that Michelangelo had gotten in his sculpture. I was trying to capture the feeling of the sculpture rather than a pictorial duplication of a group of figures. In a sense, it was like a gesture drawing with my subject holding still.
More examples of this technique are available.
In looking at these drawings, keep in mind that they were done while standing in a crowd.
Glenn Vilppu teaches figure drawing at the American Animation Institute, the Masters program of the UCLA Animation Dept., Walt Disney Feature Animation and Warner Bros. Feature Animation, and has been sent to teach artists at Disney TV studios in Japan, Canada and the Philippines. Vilppu has also worked in the animation industry for 18 years as a layout, storyboard and presentation artist. His drawing manual and video tapes are being used worldwide as course materials for animation students.
Glenn Vilppu first wrote for Animation World Magazine in the June 1997 issue, "Never Underestimate the Power of Life Drawing." His drawing manuals and video tapes may be purchased in the Animation World Store.
Note: Readers may contact any Animation World Magazine contributor by sending an e-mail to firstname.lastname@example.org.
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