ANIMATION WORLD MAGAZINE - ISSUE 4.10 - JANUARY 2000

SNEAKS 2000: A Look at 10 Must See Pix for Y2K
(Continued from page 1)

Frequency
- New Line Cinema
From director Gregory Hoblit (Primal Fear) comes an original science-fiction thriller starring Dennis Quaid and Jim Caviezel. In Frequency, a stellar phenomenon enables a police officer to communicate back to 1969 with his dead father. Through these unique conversations between a long lost father and son, the son attempts to prevent his father's death and track down his mother's killer.

Written by Toby Emmerich, the film is produced by Howard "Hawk" Koch, Gregory Hoblit and Toby Emmerich, and, judging by the pre-release info from New Line, promises to be an interesting visual treat that will make use of a different posit on going back to the past. Instead of using super high-tech time machines or spacecraft warping past the speed of light, the producers have chosen to use the plausible (well, almost anyway) science of electronic wave theory (you know, radio, TV) to make conversations between a long-dead father and his son possible. The effects, therefore, will combine what we know know technologically with what was happening technologically in 1969.

Personally speaking, though my reason for going back to 1969 would involve heavy psychedelics and taking the Magic Bus to Woodstock (not to mention a deep need to cheat physics), from what I understand a similar, but low-tech experience can be had simply by hyperventilating into a paper sack and watching Soul Train.

Stay tuned for Frequency April 28, 2000.

Dinosaur
- Walt Disney Pictures
With the possible exception of Fantasia/2000, Dinosaur proves to be the most ambitious entry for Disney in the coming year. Combining state-of-the-art computer character animation with digitally-enhanced live-action backgrounds, this newest from the folks at Feature Animation will transport moviegoers back to prehistoric times for an adventure involving a three-ton iguanadon named Aladar, who has been raised from an egg by a clan of lemurs (yep, them's mammals), and is eventually reunited with his own kind.

Though they are being very tight-lipped about what's happening with the production, Disney did let me know that major advances in computer animation can be expected, with much of the effects being done by Vision Crew Unlimited. It should also be noted that Disney's elite, the crew at Imagineering, is very involved in this project. Don't worry about missing this one, it's not much of a stretch to imagine all the marketing that will go along with its release, to say nothing of the coming ride at Disneyland, the special merchandise, the Happy Meals, etc.

Dinosaur is due to be hatched in May, 2000.

Digging to freedom in Chicken Run. © DreamWorks, LLC.

Chicken Run - DreamWorks SKG
Would you believe Mel Gibson and the creators of Wallace and Gromit joining forces to produce a stop-motion animation action adventure with chickens in the leading roles?

DreamWorks debuts its latest in a series of animation firsts with its release of Chicken Run, which marks its first full-length stop-motion animation feature made by England-based Aardman Animations, the Academy Award®-winning team behind the popular "Wallace and Gromit" shorts. Mel Gibson (Braveheart), Julia Sawalha (Absolutely Fabulous) and Miranda Richardson (Sleepy Hollow) head the voice cast, which also includes Jane Horrocks (Little Voice), Imelda Staunton (Shakespeare in Love), Benjamin Whitrow, Lynn Ferguson, Tony Haygarth, Timothy Spall and Phil Daniels.

The story goes that our chicken heroes, Rocky, Ginger, Bunty, Babs and Fowler are trapped behind barbed wire, fearing for their very lives. Our fine feathered friends hatch a desperate plan to fly the coop in an action-packed story that DreamWorks publicity refers to as "poultry in motion..." At Tweedy's Chicken Farm, where any chicken who doesn't make her egg quota can meet a "fowl" fate, Ginger and her fellow flock are determined to break out before they can be fried, filleted or fricasseed. Sounds egg-citing, doesn't it?

The film is being created with Aardman's distinctive brand of clay animation. A co-production with Pathé, Chicken Run is directed by Peter Lord and Nick Park, and produced by David Sproxton from a screenplay by Karey Kirkpatrick and Jack Rosenthal. Jake Eberts and Michael Rose are the executive producers.

Chicken Run is in incubation until June 23, 2000.

The Adventures of Rocky & Bullwinkle
- Universal Pictures
Ever gone through over 50 pages of production notes? Jee-ZUS, I just have. They were for Universal's upcoming release of The Adventures of Rocky and Bullwinkle, a live-action/animated extravaganza starring Jason Alexander, Rene Russo and (can you believe this?) Robert De Niro as three of the most terrifying villains in the history of children's television -- Boris Badenov, Natasha Fatale and Fearless Leader, respectively, and in that order. Other big names include Randy Quaid and Janeane Garofalo. Newcomer Piper Perabo co-stars as Karen Sympathy, an eager and delicate F.B.I. agent, who unites with the gallant Moose and Squirrel to avert the fiendish plans of the animated antagonists who now exist in human form. Returning as voice talent for Rocket J. Squirrel is none other than June Foray, the original voice of Rocky for the `60s television series.

In launching their search for the right movie magicians to animate the top-billed characters, two of R&B's producers, Jane Rosenthal and Tiffany Ward, looked to the industry's finest FX experts, Industrial Light & Magic, to conceive the TV icons in an entirely new realm. Adds co-star Jason Alexander, "If what I heard was correct, there's as many effects shots in this film as there was in the new Star Wars, which is kind of staggering."

A key element as to how the characters Rocky and Bullwinkle are going to look will be very much like they did in the `60s animated show, "...But we wanted to give them dimension," states producer Ward. "When we walked into ILM, that meeting was sensational," she enthuses. "...They've actually created what we call 2 1/2-D. They (the animated characters) look slightly different, only because they've now got dimension."

The contributions of visual stylists Dave Andrews (animation supervisor) and Roger Guyett (co-visual effects supervisor) transcended the original show's somewhat crude drawings which were all completed in Mexico City. Andrews, a five-year ILM vet who supervised the animation on Small Soldiers and Mars Attacks! and was a computer graphics animator on Jumanji and Casper, says, "You can't have limited animation like the original show. It just won't hold up to the live-action plate. You could compare this film to Roger Rabbit, but that still looks like a drawing, too. This will have more of a 3D form to it."

Hmmm....sounds like we have to go just to see what they are talking about! 2 1/2-D? I can't even imagine.

Universal will release The Adventures of Rocky & Bullwinkle summer of '00.

Titan A.E.
- 20th Century Fox
Titan A.E. is one of those films that just won't die for want of being made. Saved several times from the scrap heap under the previous title Planet Ice, Titan producers Don Bluth and Gary Goldman have pulled out all the stops to create the ultimate fully animated space opera.

Set in the future, Earth has been destroyed by the dreaded Orej, leaving earthlings like our reluctant boy hero Cale to fend for themselves in a hostile galaxy dominated by ruthless aliens. A rebellious teenager, Cale is stuck on a third-rate asteroid. But not for long. Cale soon learns that the ring his father left him holds a map to the legendary Titan, which holds the secret to salvation for what remains of the human race. With the aid of the starship Valkyrie's ragtag crew, Cale embarks on a heroic adventure through deep space.

With voice talent from the likes of Matt Damon (Cale), Bill Pullman (Captain Korso) and John Leguizamo (Gune, the Valkyrie Navigator), and an alternative rock musical score by the legendary Glen Ballard, Alanis Morrisette's producer, this promises to be a Gen X cult classic.

I'm buying my Milk Duds before I get to the theater... I wanna seat right down front!

Titan A.E.'s launch date is summer 2000.

Val Kilmer walks upon the Red Planet. © 2000 Warner Bros. and Village Roadshow Film Limited.

Red Planet - Warner Bros. and, in selected territories, Village Roadshow
Well, based on Red Planet's two leads, it is going to be a beautiful film. Starring that hunky Val Kilmer (Batman Forever) and sexy Carrie-Anne Moss (Matrix), Tom Sizemore (Saving Private Ryan), Benjamin Bratt (Law & Order), Simon Baker-Denny (L.A. Confidential) and Terence Stamp (The Limey) are just icing on the cake. Directed by television commercial director Antony Hoffman and produced by heavyweights Mark Canton, Bruce Berman and Jorge Saralegui, Red Planet follows a team of American astronauts making the first manned expedition to Mars, in this tale penned by Chuck Pfarrer and Jonathan Lemkin.

When the earth becomes a dying planet, our heroes visit Mars on a mission to start a new colony as man's last hope. Of course, there are complications and when their equipment suffers life-threatening damage, the crew must depend on one another for survival on the hostile Mars surface. However, from what I've read, Red Planet is trying to be more than an Armeggedon-like romp. While, as usual, the astronauts struggle to overcome personality differences based on their backgrounds and ideologies, the defining elements of their fate promises to hinge on their doubts, fears and questions about God, man's destiny and the irrefutable nature of the universe. Not your usual bubblegum fair!

Once again mum is the word in regards to the effects, but with Digital Domain in the mix, we can expect some pretty exciting shots. What's more with principal photography shot in Jordan and Australia, the filmmakers have gone all out to find some unusual landscapes to call Mars -- add visual effects to that and Carrie-Anne Moss in a form-fitting spacesuit... and, once again, you've got my eight bucks!

Red Planet will land summer 2000.

Eric Huelsman is the over-paid, underworked er -- that's underpaid, over-worked -- guy in charge of the Friedman 3D computer animation program.

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Note: If you've nothing better to do, you may quibble with Eric at editor@awn.com.