ANIMATION WORLD MAGAZINE - ISSUE 3.7 - October 1998


Business

Nelvana has purchased the publishing company responsible for Franklin.
© Nelvana.

Nelvana Acquires Kids Can. Toronto, Canada-based animation company Nelvana Limited has completed the acquisition of 100% of the shares of Kids Can Press Ltd., a Canadian publisher of children's books. One of Kids Can's properties is Franklin, the story of a turtle which Nelvana has already turned into an animated series. The $6.1 million (CAN) acquisition now gives Nelvana access to Kids Can's library of over 250 children's book titles. One of these, titled Elliot Moose, is currently being developed for an animated television series. The deal is "a highly attractive strategic and financial acquisition for Nelvana," said company co-CEO Michael Hirsh, "and is an important step for us in building a more integrated family entertainment company." Nelvana will operate Kids Can as a wholly-owned subsidiary and will retain all existing employees of the company, including Valerie Hussey who will remain president and CEO of Kids Can, and has signed a multi-year employment contract with Nelvana.Nelvana is traded on the Toronto and Montreal exchanges under the symbol "NTV."

Autodesk Making Discreet Purchase. In June, Avid Technologies bought Softimage [AF 6/17/98], combining two powers of digital production and 3D graphics. Not to be outdone, in a similar yet reversed situation, San Rafael, California-based Autodesk, Inc. (Nasdaq: ADSK) has announced plans to acquire Montreal, Canada-based Discreet Logic (Nasdaq: DSLGF). Autodesk is the parent company of Kinetix, makers of 3D graphics and animation software such as 3D StudioMAX and Character Studio. The merger had some foreshadowing, as Kinetix and Discreet Logic announced a product integration partnership in March [AF 4/7/98]. Discreet Logic, makers of editing and broadcast production software such as inferno* and flame*, will be integrated with Autodesk's Kinetix business unit and become Discreet, a division of Autodesk. The combined entity will be headquartered in Montreal with its 350 employees managed by Richard Szalwinski, Discreet's co-founder and current president. The deal, worth approximately $520 million, is subject to several conditions, including regulatory approvals and approval of the shareholders of both companies. Closure is expected by the end of 1998. Until this transaction is finalized, both companies shall operate as separate entities.

Cardiff Closing Down. The Vital! International Animation Festival (formerly known as Cardiff) is closing its doors due to financial losses incurred at its latest edition in June 1998. This year's festival director Jane Williams has left the organization, and the board of directors is now responsible for managing a debt which sources said amounts to approximately (U.K.) £25,000. A press release issued to sponsors and creditors said the decision to shut down is "due to several market factors including the decision of the Annecy festival to go annual and the timing of the Second World Summit of Children's Television held earlier this year in the U.K. In addition, the U.S. animation studios are no longer in a recruiting period and therefore, also did not support the festival at the level of previous years, all of which contributed to a lower level of industry support than forecast." Joan Lofts, chair of the festival board of directors, said, "To have to close the festival organization at a time when British animation is vibrant and growing is particularly painful but without confirmed financial support at this point there is no alternative." However, insiders expect that the festival will be reincarnated in the future, or combined with existing events in other locations such as London or Bradford. After all, the festival began in London more than 30 years ago, and has only been held in Cardiff since 1992.

Read Heather Kenyon's review, "Cardiff: A Difficult Year to Be Any Festival," in the August 1998 issue of Animation World Magazine.


Note: Readers may contact any Animation World Magazine contributor by sending an e-mail to editor@awn.com.


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