ANIMATION WORLD MAGAZINE - ISSUE 3.7 - October 1998


Awards

Locopath by Cristoph Simon (Acme Filmworks, U.S.A.) received a jury prize at the Hiroshima Animation Festival. Image courtesy of Acme Filmworks.

Hiroshima Top Prize Goes to the Pigeons. The 7th biennial Hiroshima International Animation Festival ended on Monday, August 24 with a grand awards ceremony. The top winners are:

Renzo Kinoshita Prize: L'Aréne (Série Vermillion) by Nicolas Jacquet (France).

In addition to the above pre-determined categories, the Hiroshima festival jury also selected 12 special jury prizes. Each jury prize was presented on stage by one of the international jury members, who read the jury's comments on why the film was selected.

Rene Laloux (France) presented a prize to Geri's Game by Jan Pinkava (Pixar, U.S.A.) and to the French school, Ecole Nationale des Arts Décoratifs.

Katariina Lillquist (Finland) presented a prize to The Albatross by Paul Bush (U.K.). She commented, "This special prize is given to a film which is both experimental and ageless. It combines in a very balanced way the feelings of old wooden engravings, deep poetry and touching music. It also has one of the best sound tracks in the competition." Kateriina also presented a prize to Silence by Sylvie Bringas and Orly Yadin (U.K.). She said, "The film handles in a very sophisticated way the common traumas of post-war Europe, with the reality of old photographs and a real witness' voice. It has the power of a documentary but by adding in the animated sections it goes deeper into unconscious minds and ends towards a strong humanistic statement."

Celia Van Dijk (Netherlands) presented a prize to Pink Doll by Valentin Olshvang (Russia). She commented, "Among the many animations handling modern family problems, The Pink Doll was definitely the best one. The views and actions of the little girl are presented in a down-to-earth way, and the delicate balance between fantasy and reality keeps the audience curious all the way through." Celia also presented a prize to Trainspotter by Neville Astley and Jeff Newitt (U.K.). She said, "With this puppet film, you can almost feel the damp air on a platform in the middle of nowhere. The main character is a close relative to Eleanor Rigby in his loneliness and although he manages to enlarge his collection in the end, you can't help but feel sorry for him."

Normand Roger (Canada) presented a prize to On a Full Moon by Lee Whitmore (Australia). He said, "For the sensitivity with which it portrays the heroism of combining parenthood and creativity and in a beautiful film." Normand also presented an award to Romance of the Heart by Solweig Von Kleist (France), "for its lyrical animation and design combined with an excellent sound track."

Mark Baker (U.K.) presented a prize to Spring by Silke Parzich (Germany). He said, "This prize is awarded the special jury prize for the film's fresh and simple imagery." Mark also presented a prize to How Wings are Attached to the Backs of Angels by Craig Welch (Canada). He said, "The jury admired the film's atmosphere of restrained tension."

Hisako Sato (Japan) presented a prize to Locopath by Cristoph Simon (Acme Filmworks, U.S.A.). She said, "In this day, young people touch many dangerous things. It's nice that this film makes its point with humor." Hisako also presented an award to Heavy Stock by Michael Salkeld (U.K.). She said, "The jury awarded the special prize in recognition of Heavy Stock's beautiful graphics. Animation is like the action in the film. This film has an outstanding personality."

Gigi Hu reviews the
Hiroshima International Animation Festival in this issue of Animation World Magazine.

The Simpsons Nabs 3 Emmys. Fox's prime-time animated series, The Simpsons received three Emmy Awards this year, including the craft categories. For the fifth time (`90, `91, `95, `97), the show won the award for "Outstanding Animated Series (for programming one hour or less)," beating out other nominees King of the Hill (Fox), Cow & Chicken (Cartoon Network) and Dexter's Laboratory (Cartoon Network). The Simpsons also won in the "Outstanding Music and Lyrics" category, for the song "You're Checkin' In (A Musical Tribute to the Betty Ford Center)," by composer Alf Clausen and lyricist Ken Keeler. As previously announced, actor Hank Azaria won the "Outstanding Voice-Over Performance" Emmy for his role as "Apu" on The Simpsons.

Cartoon D'Or Noms. Every year since 1991, the organization CARTOON, with the support of the MEDIA program of the European Union, selects one short European animated film as the "Cartoon D'Or," or "best European animation film." Nominees are selected from the list of top prize-winning and recommended films from participating European animation festivals: Annecy, Brussels, Cardiff, Espinho, Stuttgart, Utrecht and, new this year, Oslo. The director of the Cartoon D'Or winning film will receive 25,000 ECU (approximately U.S. $25,000) to spend on a new animation project. This year's nominees are Famous Fred by Joanna Quinn (U.K., her third nomination), Frontière by Christian Fisher (Germany) and Maud Gravereaux (France), Heavy Stock, the Sound of the Railway by Michael Salkeld (U.K.), L'Enfant au Grelot by Jacques-Remy Girerd (France), Sientje by Christa Moesker (Netherlands) and T.R.A.N.S.I.T. by Piet Kroon (Netherlands). A winner will be selected at the 1998 Cartoon Forum in Syros, Greece, September 23-27.

Mike Johnson's The Devil Went Down to Georgia. © Fat Cactus Productions.

The 1998 CARTOON Forum will be reviewed by Marie Beardmore in the November 1998 issue of Animation World Magazine. Plus, the organization CARTOON was profiled by Heikki Jokinen in the October 1997 issue of Animation World Magazine.

Devil Tops L.A. Shorts Fest. The second Los Angeles International Short Film Festival, held September 11-13, selected Mike Johnson's stop-motion music video The Devil Went Down to Georgia as "Best Animation Film." It competed with 12 other animated films in the festival. For information about the festival and the next call for entries, visit www.lashortsfest.com.


Note: Readers may contact any Animation World Magazine contributor by sending an e-mail to editor@awn.com.


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