The legendary indie animator talks about his brand new film and the Kickstarter campaign that saved the production.
Article Type: Interview
AWN's The Miscweant talks to Elliot Cowan, who is in the home stretch of creating the feature-length The Stressful Adventures of Boxhead and Roundhead, an expansion of the animated shorts the veteran animator/animation director has been creating since 2006.
Program Director Nicolás Villarreal shares his insights on the school’s new visual development degree program as well as the challenges of helping students become working professionals.
The production veteran shares her insights on the trials and tribulations of bringing Pixar’s hit feature to the big screen.
Cinesite VFX Supervisor Matt Johnson tells a tale of two “digital” cities in recreating key environments for Marc Forster’s new zombie film.
The first-time director discusses the dynamics, pressure and satisfaction of helming Pixar’s first prequel.
The veteran creative director and founder of Proof Inc. shares his insights on previs, postvis, pitchvis and the growing importance of visualization across the entire filmmaking process.
Creators Ed Skudder and Zack Keller talk about their highly anticipated new feature, Dick Figures: The Movie.
Supervisor Nick Markel takes us inside The Third Floor’s previs work on Joe Kosinski's sci-fi thriller.
Personal insights alongside newly released concept art from Disney's Lorelay Bove, visdev artist on Wreck-It Ralph.
The seasoned VFX vet shares how an integrated pipeline built upon Adobe software brings greater creative freedom and efficiency to the production.
The film’s Executive Producer and ILM VFX Supervisor discuss the Oscar®-nominated superhero epic’s visual effects challenges.
The director, fresh from his Annie Award win for Best Student Film, discusses his Oscar-nominated stop-motion gem.
ASIFA-Hollywood’s president describes how voting changes brought fairness, and Disney, back into the fold.
The Animation Mentor CEO discusses educational philosophy and how his school’s new AMP fully distributed production pipeline meets a changing industry’s needs.
Co-directors Seamus Walsh and Mark Caballero discuss the making of the Rankin/Bass styled stop-motion TV special, It’s a SpongeBob Christmas!