MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
Article Type: Interview
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
Paris’ NAKED Compagnie and New York’s ROOF Studio team up in the Cloud to produce a prolific series of eight second CG bumpers.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
Brian Henson takes us behind the judge’s table for the Jim Henson Creature Shop Challenge season one finale.
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
Art director Neal Holman and animation director Bryan Fordney explain how Floyd County Productions brings us FX’s animated gem.
The PDI/DreamWorks head of character animation helps bring one of animation’s classic duos to the big screen.
The veteran Oscar-nominated VFX supervisor discusses Marvel’s latest Iron Man saga as well as the future of high frame rate filmmaking.
One of animation’s most successful producers reflects on her work, her NFB legacy and her plans for retirement.
The LOOK Effects vfx supervisor discusses integrating miniatures, stop-motion, live action and more on Wes Anderson’s new film.
The co-directors of DreamWorks’ Oscar-nominated feature discuss the family dynamic at the heart of their story.
The co-director of last summer’s smash hit discusses the challenges of making a sequel feel fresh, fun and compelling.
A visually intriguing re-exploration of "dog as man’s best friend" set in a surreal industrial world.
A wild child, raised by wolves, is forced to reconnect with humanity and conform to a society he can barely comprehend.
The legendary director talks about his final and most controversial animated film, ‘The Wind Rises.’
VFX supervisor Nordin Rahhali discusses the challenges of rebuilding the hero of José Padilha’s new film.